Aussie’s love their music. They are so damn proud of their music and their bands and they have good reason. For those of you who haven’t been there or spent a lot of time there…Australia is very far away from The U.S., let alone, the UK and Europe. Breaking a band locally is hard enough, but breaking a band globally from damn near the bottom of the other side of the Earth is insanely hard. In order to do that, your shit has got to be damn good.
There has been a lot of damn good shit to come out of Australia: AC/DC (of course), Men at Work, INXS, The Bee Gees, Silverchair, John Butler Trio, Kylie Minogue (not my flavour, but hey, very successful), Xavier Rudd (saw him in Venice in front of St. Mark’s Basilica…killer) and Nick Cave…just to name a few. Then there are a few local legends as well: country star Slim Dusty, Cold Chisel and Chisel’s lead singer Jimmy Barnes (a star in his own right) and Powderfinger.
Powderfinger is an Aussie rock band. I can’t say I have listened to a lot of their music, but I have listened to their lead singer’s 2005 solo album a lot. Bernard Fanning’s “Tea & Sympathy” was my fave rave Aussie album from my five year stay in Sydney. This album just makes me feel good. It is one of those albums that at first listen you feel close to it. It didn’t have to win me over, it didn’t try to hard and it didn’t shy from expressing itself. I want to say that it has a “feel”…but that can come off as some esoteric, snooty bullshit. That being said, it does have a feel…it is comforting and wise.
Many, many repeat listens for me.
This is Fanning’s only solo outing. Apparently the songs he write for Powderfinger, aside from being
rock oriented, are external, more message driven (sometimes political). This collection is inwardly expressive…revealing. As far as the music itself goes, here is what allmusic had to say in it’s r
eview of the album:
Like a reprise of Stephen Stills‘ Manassas or Elton John‘s Tumbleweed Connection, Fanning‘s solo debut is awash in well-constructed pop songs that are dressed up with mandolins, Dobros, and fiddles. There’s a country veneer, but scratch beneath the surface and you’ll find some sturdy pop hooks and the kind of laid-back hippie sentiments that wouldn’t sound out of place on early-’70s FM radio…The opening “Thrill Is Gone” and later “Hope & Validation” both feature the kind of yearning, soaring vocals and infectious melodies that John tossed off regularly early in his career, while lead single “Wish You Well” and “Sleeping Rough” strongly recall Stills‘ work, both solo and withCrosby, Stills, Nash & Young.
Good company and good commentary. I’m not sure I hear the same tones and sounds as in those two specific albums, but, again…that feel is there. Fanning hasn’t made a full go at breaking in the States yet. He did open for his coutnryman, Keith Urban in 2006 (I think it was 2006) and was distributed by Urban’s label, Lost Highway.
If you are looking for a new Turn-On, check out “Tea & Sympathy”. I find it goes best around dusk with a few deep glasses of red (an Aussie Shiraz is my flavour of choice).
“Songbird” – Bernard Fanning
“Yesterday’s Gone” – Bernard Fanning
“Not Finished Just Yet” (Live) - Bernard Fanning
Here is the entire Tea & Sympathy Album (be sure to check out “Thrill is Gone”…not a B.B. King cover…and “sleeping Rough”). Enjoy…
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