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Posts tagged ‘Apple’

It just ain’t easy (sing it, Brother Gregg Allman): learning to play the guitar ain’t no easy pickins

When the Allman Brothers box set, Dreams, came out … in 1989 … that was early, early days for the box set. At that point in the record label, money grubbing, dry-hump the catalog period of the beginning of the end of the High Times, the idea was to put out a career retrospective of their cash-cow, legacy artist from year one to year now. Legacy artist … what a rank term:  less a compliment for artist and more of an indictment of the fans who will buy anything the artist (label) puts out. Oh, the poor super-fan … a blessing and a curse to be one, eh?

The box sets of that time were long and winding rides through a career filled with wide open roads (the early years), six lane highways (when the band hit their stride/peak), ruts (usually when the drugs took over), breakdown lanes (when they played it safe, but still kept going) and backroads (when they went back to their roots to recapture the magic of yesteryear).

You don’t need a cartographer  to know which way the road turns.

Hey, 1989 .. it was early days for box set, yes … but, we have to give the Brothers credit for trotting out their hits and skeletons as early in the game as they did. Eighty-nine … I bought that box set (through my Columbia House membership … remember THAT!?).  I was a junior in high-school and  on my way to being a ’60′s wannabe. I loved the fucking Allmans. Hot Damn … they could stoke the coals at a moments notice.  That entire four-CD set was both fuel and fathom … “I Love this and what was this!?”

My first Allmans gig was in 1991 in Nashua, New Hampshire. The Allmans had buried hatchets (again) and reformed with new members (again) and went out on the road for long stretches to play long jams (again). I was with friends that understood what an Allmans gig was all about: pulsing rhythms, dual(ing) guitars, stamina, boogies, shuffles and extended, balls-out jamming.

I distinctly remember during ‘Liz Reed soloing that the two guitars had an “Egyptian-Weave” feel to them.  That is what came into my mind … that was the phrase my brain conjured up; I always think that now. I still get the chicken-skin thinking about that turning point in my impressionable music fandom career.

I loved that gig. I love that band. I have seen the Allmans 27 times … the last time was in 2003. I moved to Sydney, Australia in 2005; I haven’t lived in the US since. The Allmans don’t (have never) travelled to Europe as a group. I now live in London. As much as Brits and Europeans would flock to a London Allman’s gig … it ain’t happening.

Just the same, the individual members do make the trip over here. This past summer, in the span of 14 days, I saw the Tedeschi Trucks Band (UNREAL), Warren Haynes (always sure-fire) and Gregg Allman (best I have seen him play in many a year) play solo gigs here in London.  It was a knock-out, bow-down two weeks of jams, grooves and gut-bucket growling that (kinda) added up to a complete Allmans gig.

Shit … I got way off track. What was it that I wanted to say? Oh yes: learning to play the guitar is not easy. I just started teaching myself how play to a few months ago (“teaching myself” … sounds better than playing with myself … which, actually, might produce a more satisfactory  result than teaching myself how to play this damn six string monster). I am using Apple’s Grage Band software to guide me through the in’s and out’s of the fretboard. If you are a beginner, this is a good program. So far I like the lesson structure and I am in control of the pace.

Tonight I was trying to learn barre chords. Sons-a-bitch … I thought I was making progress until I ran into this brick wall. As I was trying to get the first finger down across the entire fret, I said out-loud, “this shit ain’t easy.”

Whammo.

I instantly thought of one of the best Allman Brothers deep-cuts on their Dreams box set called, “Just Ain’t Easy.”  … it is on the fourth CD of the set.  The fourth, and most often, final CD of these early box sets was usually “ruts,” “breakdown lane” and “backroads” territory  … commonly known as “filler.”

You have to admit, some of the songs on this Dreams fourth CD is high-quality filler … but, some of it is buried treasure. One of them rare gems was, “Just Ain’t Easy”. I played that shit at high volume quite often. It is a soulful lament for (what I think) was someone (Gregg) trying to kick a very heavy-duty drug habit. This ditty is a derge dressed up as a slow, thick, soul sender. Check it out: Just Ain’t Easy

Anyhow … I was practicing on my guitar tonight, I went off the road an into the ditch, barely avoiding a head on collision with a barre chord. While I was trying to pull myself out of it, I remembered that … it just ain’t that easy.

But, in the spirt of “Dreams” … I’ll “get myself back in the race” and be playing “Melissa” in no time.

Okay, I couldn’t find a version of “Just Ain’t Easy” on YOuTube, but I did find more buried treasure fromt eh 4th CD of Dreams:  a rowdy “Can’t Take it With You.”  This is a tough as leather ripper.

From Now On All My Friends Will Be Strangers: Imaginary Friends & Sharing Music

What in the hell happened to the friend? When did the friend become such an ambiguous and ill-defined concept? I have always had a group of good friends. These friends are actual carbon-based beings that I physically interact with. Yes, actual human contact: hand shakes, back slaps and bottle clanging interactions. Now it seems as though a lot of my friendships, specifically the online flavor, consists of interactions that involve @replies, comments and “likes”.

Since I started my personal world tour in ’05, that group of friends has become a gaggle of friends that spans the globe. I have always been able to make friends with most everyone, most everywhere I am. That is still true today, albeit the “everywhere” having morphed a bit. Today everywhere has expanded it’s boundaries to the web. 

This past weekend I was listening to a playlist I made a while back. On it was a Teddy Thompson cover of a Merle Haggard song, “From Now On All My Friends Will be Strangers”.  The song was nothing special and the subject matter didn’t have much to do with this post, but it was the title that got me to thinking about my online friends. 

I have a couple hundred friends on facebook. I have about 500 followers on twitter. I have handfuls of friends, followers and subscribers to various web-based services such as last.fm, Spotify and Rdio. I’d say that 90% of what I use the web for is music related. Of all of these connections, I’d say that a third of them are back and forth, real deal, reciprocal relationships. 

The strange part about all of this is that most of these people I haven’t actually met. I know them only by username, location, profile, “favorites”, lists and the like. Every now and then my wife asks me if I am online talking with my imaginary friends again.  ”Imaginary?! These are real people”, I say. To which she replies (complete with shit-eating grin), “Oh, so @ickmusic, @dopeburger, @ozzybeef and @addictedtovinyl are real people, eh?”

Damn straight they are.

Imaginary Friends: I like that. It makes me laugh, and, in a way, its true. A lot of the people I interact with on a weekly basis exist online (at least from my perspective). I don’t actually know them, but I know about them. Much like friends, I have come to trust and respect their opinions and tastes… particularly where music is concerned. 

When it comes to music, I am a voracious fan. I am always thinking about, buying, listening, discussing, reading and writing about music. I have always felt that the only thing better than listening to music is sharing it. This year I have been sharing more and having more music shared with me than ever before. The majority of this sharing has been with my circle of imaginary friends and by using a number of web based services to discover and disperse music throughout my imaginary friend network.  

All this sharing has effected my listening habits. I used to have a somewhat closed system. I would buy physical product, download into iTunes, put it on my iPod/iPhone and plug it into my ears. I would also make CDs for people or stick my machines into docking stations and shuffle through my collection at parties or mini music summits.

In time I started plugging my collection into the web. I first used last.fm‘s scrobbler (circa 2006). That was a trip. I could see what I was listening to online in real time…and others could see it as well. Cool.

Since then, the web has changed and changed how we all listen to, discover and consume music. I have changed my habits more this year than ever. Central to that change is the inclusion of others in my listening and discovery process. I thought it would be worthwhile to share my process…as well as my music. 

My primary “tool” is still iTunes (note: I am getting fed up with this bloated software). I dump everything in here and create playlisst. I buy (yes, I still buy and don’t steal) a lot of music, so I need to keep track of it to make sure I actually listen to it! I create two primary playlists in iTunes: 
  • “New New 2010″: all new releases in 2010, e.g. The Black Keys, “Brothers
  • “New Old 2010″: this is music released prior to the current year that is new to me, e.g. The Black Keys, “Chulahoma
I have last.fm‘s scrobbler plugged into iTunes and it shares my collection and listening habits on my last.fm profile. Each week last.fm tweets out my top three listened to artists to my twitter account. Last.fm is also integrated into my Spotify and Rdio profiles (no Pandora in Europe). My listens on those services get scrobbled by last.fm.

This is my first year using streaming/online radio services. I am not sold on these yet. I still want to own my music. 

A quick digression: “own”. What does this mean anymore? I own a lot of physical music (CDs and vinyl). I also own a lot of digital music, most of which I get via iTunes. Even though I still own this digital music…it doesn’t really exist in physical form (imaginary music…?). It sits on hardrives and lives in my macbook pro.  I’ve blogged about this conundrum before here and here.  I want to “solve” this very soon.

Until there is ubiquitous 10G, super-fast, all the time, everywhere, wireless, mobile broadband… I cannot go all in on streaming services. Spotify and Rdio have nifty “offline” syncing, but really that is just an excuse for not having the technology in place to go whole hog on the service. I don’t want to dry-hump my offline collection when I can’t get a signal. Hey, that may not be the service’s fault, but the knock-on effect is there. 

I use Spotify because, well, I can. I am in London, and unlike in the US, Spotify found a way to play nice with the record labels and get turned on in Europe. Rdio’s service is very similar to Spotify’s, but with a few more bells and whistles. I use them both primarily for music discovery…that could lead to purchase. Spotify has “radio stations” that you can create by genre and decade. Rdio has “Rdio stations” that you can create by artist. I am digging the latter. 

For instance, I don’t own an Avett Brothers, but was interested in listening to their sound.  I searched for them and then clicked on “Play Rdio Station” based on their music. I let that run through 25 songs. While listening to that/any station there may be a tune or two that “makes my big toe shoot up in my boot” (I once heard Little Richard make that statement about the first time he heard specific blues and gospel music…Little fucking Richard). 

When I hear one of these “big toe” songs, I add it to the playlist I created called, “The Turn-Ons”. Aside from being a killer name for a band, it is a playlist of songs where I can go back to later on and explore the artists and albums the songs come from. I made the playlist public so that it can be listened to, shared, downloaded and so that anyone can add songs to it. Have at it: The Turn-Ons

I like this particular process because it compliments one of my three listening filters: “birds of a feather”. I really do try and listen to more current bands and modern sounds, but every time i try and stray from my core listening sound, I waste money and it kills my listening experience. 

My ear is tuned into the following: blues, old/original/real country, classic soul music, rock and roll originators and the first tier of original rock and roll bands. By first tier I mean those bands born out of the influence of the originators. There are more sounds that are part of my taste-collection, but those listed make up the core. 

By using the Rdio station filter, I can stay true to my “birds of a feather” filter. Generally I find it works. 

For the record, here are my three primary listening/discovery filters:
  • “10x Rule”: I always listen to any new album (and I only buy albums) 10x times in a row, start to finish. This is a must. It is the only way to really get in sync with the album as intended by the artist. You have to make time for this filter; you have to single-task when doing this. I recommend headphones for this one.
  • “Birds of a Feather”: you get the idea here
  • “Circle of Trust”: this is my word of mouth filter from friends (real and imaginary), trusted music sites and publications.
Ok, back to the plot…

I share a lot of music on The 6149 as well. I try to embed YouTube vids as well as hyperlinks to tracks from TinySong and last.fm. I also embed playlist that I create on Grooveshark. Grooveshark just gave their site an HTML5 overhaul and while it is nice, the create and modify playlist feature is not working for me right now. I like the embed feature and hopefully I can continue using it.  My blogging platform of choice (for now), Posterous also allows me to embed playable/downloadable audio/content. Additionally I have used Dropbox and Mediafire to share playlists I create and offer up for downloading.

Currently I am locked into the Apple system. I have a MacBook pro, iPhone and iPad. The later I use as a consumption (convenience) device (not a “production” device). There are a few apps I use on it including the Spotify & Rdio apps. 

Photo

I use some regularly, others sparingly/fit for purpose and a few I have just have to try out.  The online streaming sites such as NPR, Wolfgang’s Vault and Daytrotter are killer content sites. I spend a lot of time on Wolfgang’s Vault (@concertvault) as it truly hits on my numbers 2 & 3 filters (the VIP pass is well worth the spend). 

I enjoy my Apple products, but lately I am getting both frustrated (hell-oh, iTunes!) and curious about other platforms (not that there’s anything wrong with that). I’ll stick with them for the time being, but I do use a few other products that assist in enhancing my listening/interactive experience. 

There are three products/services that pushed me over the edge to finally use streaming services: Apple TV, Airplay & Airfoil (by RogueAmoeba). I do not want to listen to music primarily through my crap laptop speakers. I have a dedicated listen room, which I call the Music Box with a great ONKYO system with Bose speakers that produce damn good sound that has an Apple AirTunes receiver hooked up to it. I also have a couple of Bose speaker docking stations in my flat with AirPort Express attached to them (I am not a strict Bose fan, I just haven’t upgraded my speakers in a couple years). 

I can play all my music via AirPlay to all of my speaker outpost: my music, everywhere I want it. I just got Apple TV as well. It is not the end all be all, but I do like the flexibility it offers. Now I can listen to my music via the TV set-up and watch all of my music doccos via airplay. I can also stream web and app content from my iPhone and iPad (more on that in a bit) to the the flat outposts. All up, the Apple system is fitting the bill right now. 

But…BUT…what Airplay can’t do for me (yet) is stream my Spotify and Rdio, or even YouTube, stuff.  When my web based music streaming/watching/listening experience is limited to the computer…I’m out. If I can get that to my stereo and other AirPlay supported outposts…I’m in! To solve that I am using Airfoil. Airfoil works like Airplay but it allows me to send my streaming accounts, Wolfgang’s, Ronnie Wood Radio throughout my flat. 

I am also using a few iPad apps to discover new sounds. One of which is called Aweditorium. As far as the experience goes, it is unique amongst other music discovery apps; you need to check it out for yourself. If you don’t have an iPad, you can use the web app to get the feel. When using the iPad app, you can stream the audio and video via AirPlay to AirPort Express or your Apple TV set up. It is simple, and from my perspective, it enhances my music discovery/listening experience.

Whew. This is a long post, eh? OK, one more: vinyl. The best listening experience is vinyl. Listening to vinyl is the tip-top, dedicated, I really, really want to listen to and enjoy THE MUSIC without distraction (except staring at the album art and read the liner notes) experience. To share that experience is the ultimate share…you must have people present in the room for that to happen. 

Ah, listening habits…that is post for another day. This current post has gone on longer than a Ken Burns documentary; it’s time I put a period on it. Hopefully I have enlightened you to a few new ways that you can enhance your own music experiences. Additionally, I encourage you to follow, friend, link with, grapple on to and join me on on any of my music-social outposts I linked to. 

I’ll be back later in the week with Part 2 of this post: why people don’t give a rat’s ass about listening to music anymore. 

In the meantime…dig this shit:

Long live rock, indeed…

Poorman’s Podcast: “That Good” (Fly Bald Eagle, Fly)


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