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Posts tagged ‘london’

39 and Feelin’ Fine

Me, Bob, Aretha, Johnny and a killer jukebox (it uses real-live vinyl 45s!) in a teeny-tiny Spanish bar in London’s Soho.

The juke is playing “Boy Named Sue” (my choice) – it just skipped. Perfect.

39 and counting …

“I’m flying, across the ocean and I’m soaring…” (a rock & roll trip around the world)

“I’m flying, across the ocean and I’m soaring…back home to the place I was born and properly raised.”

 There is nothing like a song that delivers exactly what it promises. Some songs just flat-out tell you, “Hey, this is how it’s gonna be”: ” we’re gonna play our asses off, you’re gonna listen and you’re gonna get what’s coming to you. That’s right…we’re gonna cut through; we’re gonna hit the mark; we’re gonna deliver the goods”.

Right now, I am 36,000 feet in the air, hanging above the Atlantic Ocean and yes, I am soaring back home to the place where I was born and properly raised.

OK, let’s be fair here, no song actually makes any promises (well, except, maybe this one). I tell you, though, when I listen to “Flying” by The Faces, hot damn, I’m airborne. The song starts somewhere in the distance, barely audible, and it builds, as if it is about to buckle up and rumble down the runway and propel itself toward the sky. Suddenly, it does; we have lift off.

 Oh yeah, I am soaring right now…and so are Ian Mclaghan and Ronnie Wood. At 2:50 they start playing the time-honored tradition of call and response. Mclaghan lays down some thick church-chords while Ronnie volleys with some squealing, slippery slide work. About a minute later, their engines are killed softly and before you know it, the wheels down.


http://listen.grooveshark.com/songWidget.swf

Oh, I am jazzed, alright. I think I just listened to that song seven or eight times in a row. Throw in the Ronnie Wood live version with Bernard Fowler on vox and you could take it for another half-a-dozen spins. Whew.

Songs will do that to you. Sometimes you hear a song and you just hear it. Sometime you feel a song and you feel it. Right about now, three hours out of Boston, MA, I am feeling it.

I’m heading back for a week of work in “the colonies”. I have been traveling back to The States often lately; granted, I am going back for work. Considering that I moved Australia in January of 2005 and never once went back to the States until December 2009, any trip back to the States feels good.

Sitting here on this plane, drinking as many Heinekens and watered down bloody mary’s as they will give me, I am thinking about the crazy, cool nomadic path that I have been on. I thought it would be trip (I’m on a roll with these puns lately) to retrace my steps in song. Hope there are a few new turn-ons for you here.

Movin’ Out – Aerosmith: “Gotta move it out ‘cause the city’s movin’ in”

Back before Stephen Tyler sold out like a Tower Records liquidation sale, Aerosmith had a pair. With one fell-swooping pen stroke, Tyler signed on as a Fox Network corporate shill and simultaneously wrote off a legacy of balls-to-the-wall rock and roll. Castrated and confused, the rest of his band mates stand in the shadows and consider giving Sammy Hagar a ring.

That’s not fair to the other guys in the band. There is no way Joe Perry will let the other shoe drop. These guys used to rock. Way back on their first album, they showed that they had the raw chops to cut the mustard.

One of their first songs that got me good is, “Movin’ Out”. I always heard this song as gut-bucket raunch. It is a raunchy, grinding rocker and it has that foot-stomp-y sing a long element to it. Tyler’s vocal creeps and croaks out start ‘er off, the band kicks up a shit-storm of chunky riffs until Tyler steps to the front again with that smokey vocal set on that swirly guitar sound and then the band locks the groove again and takes it on home.

Home. Boston was the place my wife and I called home before we left for Florida. We met there, we got married while we lived there (we got married in the Dominica Republic), we broke bread there. I remember playing this song over and over while we packed up our stuff.

 

Mainline Florida – Eric Clapton: “My heart was leapin’ in the sun. My friends all say you’re the one.”

This song comes from Clapton’s “461 Ocean Blvd”. I first heard this record freshman year in college. I couldn’t stop listening to “Motherless Child”. The slide guitar work in that song shook my bones. Sure, I had heard slide guitar before, but I never really listened to it. I had no choice when I heard Clapton ringing the bell.

That rolling and tumbling lick kicks things off and then, WHAMO! The slide starts cutting like a ginsu knife. SHIT! I still get the chicken skin when I hear it. Plus, Clapton sounded so lonely on that vocal; the slide seemed like it was him weeping. Corny, I know…but that is what I heard.

Also, check out this sick, sick version with Clapton, Doyle Bramhall and Derek Trucks. Three things to note when watching this video: Truck is not (?!) playing slide on this, Steve Jordan is playing the drums like a smokestack lightening train barreling down the tracks and Clapton officially needs someone to surround himself with someone to push his playing)

I digress. The song that closes that album is, “Do the Mainline”. I remember making a “Going Down South” CD mix for our move (circa ’02) and I put this song on it. I had lived in New England all my life. Until I got out of there, I had no idea how conservative it was…well, compared to Florida. I remember thinking, shit, I’ve got to start spreading myself thin and experience more scenes and surroundings.

Little did I know…

 

 

Khe-Sahn – Cold Chisel: “The last train outta Sydney’s almost gone!”

We lived in Ft. Lauderdale, Florida for just about three years. Near the end we bought our first house. It was right when the housing boom was at it’s peak. We owned it for just seven months. We had one eye on settling down and growing roots and one eye on the horizon. The time just wasn’t right for settling down or settling at all. We found ourselves a (corporate) ride to Sydney, Australia. Buy the ticket, take the ride. Damn straight.

We found a buyer for our house in just three days. I stuck a sign on the front lawn and the parade of people came marching in. Again, remember, this is right before the market tanked. The “Lucky Country” was already working it’s magic on us.

Our Aussie experience is an entire blog itself. So many great memories, great times and great people. The Aussies have the right idea: play hard, play hard, work hard. Usually when we played, music was front and center. There are so many cool Aussie bands to talk about, but on in particular rings true for me: Cold Chisel. Their lead singer, Jimmy Barnes (“Barnsey”) could party as much as he could sing and he did both in extraordinary fashion.

One of Cold Chisel’s most known and loved song is, “Khe-Sahn”. When I think of great times in Sydney in cramped pubs or in the hot Aussie sun, drinking ice-cold Aussie beers with a bunch of fun-loving, life loving Aussies, I think of this song.

I can’t count how many times this song came out of the speakers and incited a mass sing-a-long. Oh shit, there is goes again: the chicken skin.

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Real, live chicken skin…

 

When Barnsey starts in on that line, “well, the last train outta Sydney…”, everyone starts raising glasses, back slapping and singing at the tops of their lungs. Hot damn. Sydney is a special place.

I am giving you a solo Jimmy Barnes performance. This is a typical crowd response to this tune: rowdy, proud, fist-pumping, sing-a-longs.

Here is the studio version of Khe Sahn.

http://listen.grooveshark.com/songWidget.swf


I’m Trying to Make London My Home – Sonny Boy Williamson: “Because the people back in my country just don’t know what is going on”.

OK, that is not entirely true. Ol’ Sonny Boy was playing up to the crowd when he and the rest of the blues legends toured in ’62-’65. I will say that I would encourage more Americans to live outside the country if they can. I’ve learned a hell of a lot about myself and my country by being on the outside looking in…a lot. We’re in London now. I’m not sure that we will live here permanently, but I would certainly consider it.

 

(nice vid from its creator)

Why? Hey, I’m no turncoat, but London is an exciting place to live: the history, the proximity to all of Europe for travel, the culture, the music scene. It’s also just a short plane ride back to my old stomping grounds… 

Promised Land – Johnnie Allan “Tell folks back home this is the promised land calling, poor boy’s on the line”

There are cover songs and then there are versions of songs that leaves the original in the dust. This version “Promised Land” has the Chuck Berry original staring at a pair of fading tail lights. Give Chuck his due; he wrote it, but Johnnie Allan owns it. I play this every time I am flying back home.

The song has the “poor boy” trying to make it to the left coast. He encountered a slew of obstacles within his travels, but he kept on persevering and made it out Cal-i-forn-i-a. Oddly enough, Chuck Berry wrote this song while still in prison. A little escapism, perhaps, Chuck?

Sometimes I feel like the “poor boy”. There has been a lot of traveling in the last eight years. There have been many unforgettable experiences along the way and a few obstacles, too. There is one thing I have learned with all this traveling: the “promised land” doesn’t have to be California or any place in particular. It is where ever you want it to be.

Chasing down the Cool: Hunting for vinyl in London’s Soho (great finds in the shops & pubs)

A sunny (relatively) warn autumn day in October in London…what else is there to do except spend it inside used record shops chasing down the cool. Actually, as far as I am concerned, any day, rain or shine is good day for flipping vinyl. 

Upon moving to London from Sydney, Australia a year ago, I was very excited to get inside all of these used record shops that I had heard so much about. One of the first things I did when I got here was map them all out. 

http://maps.google.com/maps/ms?ie=UTF8&hl=en&msa=0&msid=112902218177026609738.000473154c60d604e17cb&ll=51.499676,-0.140925&spn=0.074376,0.145569&z=12&output=embed

I have since been to all of the shops on that map. I have made repeat visits to the shops in Soho. There is a cluster of them which makes it easier to hit a lot in one day. The shops there are very good a rotating the stock, too. Also, it doesn’t hurt that the Soho scene is always a trip. 

 

I spent most of my time in three shops today: Music and Video Exchange, Revival Records and Sister Ray’s. I also grabbed a snap of Ronnie Scott’s on my walk around. 

 

So, with two shops and close to three hours of bin flipping, it was time to adjourn to one of Soho’s coolest little pubs: the Dog & The Duck (Yelp review). This pub has two floors, but each is postage stamp sized. What it lacks in size it makes up for in character. It is also well known for it’s literary heritage (George Orwell drank and wrote there) and a consistent rotation of choice, tasty ales. I can attest to the latter. 

The taps were all spewing ales with Halloween holiday themes. I had me a delicious Hobgoblin Ruby Ale. Ok, I had three. 

After a few pints here I hit a couple more shops and then hopped the Tube back to my neighborhood. I stopped by one of my local fave rave pubs, The Builders Arms. I had a couple more pints, had a read through the rest of the album liner notes and a chapter of Keef’s autobio and I hoofed it home. 

 

I chased down some great records today. I usually try to get a mix of styles and sounds. Today I ended up heavy on the Blues, early Rock and Roll and some heavy Rhythm & Blues. Here is the list:

The Fabulous Mr. D – Fats Domino

River Deep Mountain High (Spector produced) – Ike & Tina

Bo Diddley s a Lover – Bo

Southside Blues Jam – Junior Wells

Travelin’ to California – Albert King

Chicago on My Mind- Living the Blues (live) - Jimmy Dawkins

Jackson Browne – Jackson Browne

Shoot Out the Lights – Richard & Linda Thompson

I had never heard “Shoot out the Lights” before. This week I saw a tweet from @KenShane (New Music editor at Popdose and Freelance Writer) with a link to his review of the reissue of it.  Ken speaks the truth and my curiosity was peaked.

I am a sucker for a great music story and the one behind this album is a killer story…as told by Ken. I picked up this album because of Ken’s article. I am loving this album because of the music.

(Thanks for the turn on, Ken)

I’m Seeing Van Morrison at the Royal Albert Hall tonight: My Requests

Tonight is my third show at the Royal Albert Hall since I loved to London just a year ago. I’ve seen Ray Lamontagne and Jackson Browne w/David Lindley. Tonight I am not so much going to see a performer as much as I am going to hear him fill up that legendary acoustic castle. Tonight Van Morrison is puffing the chest and cleaning out the pipes. 

Tonight is a one-off performance of “hits”. I wish it was a performance of Astral Weeks. That is a fave rave album of mine and I may just like the live version put out a few years ago bette than the original. Ok…that’s a tough, tough call, but the Live at the Hollywood Bowl version is damn good. The orignal is full of tension, anticipation and earnestness. The live one has a bit more swagger, swing and sway…added to it. I love it. A fave rave headphones, whiskey and dim-lights album. 

Hopefully somewhere in between the true radio hits we get a few deep tracks and cool cuts. If I could get hold of the set list and add three songs, these would be it. Enjoy. 

St. Dominic’s Preview

Cleaning WIndows

Slim Slow Slider

Oh, what the hell. Let’s put another on the list. If this is a “hits” night, this one might get played before my other three requests. I love that staccato delivery of the verses. It’s taught and proud. 

Warm Love

http://www.muzu.tv/player/getPlayer/a/0EvyiNy52KAuj8E1/vidId=201460
Van Morrison – Warm Love 

“Oh, I’m a Lucky Man!” How I Ended up Hanging With Ronnie Wood After His Solo London Gig [Ode to Mitchell & John]

If truth is indeed stranger than fiction, then what happened to me at the Ronnie Wood gig in London last Tuesday night [19.10.2011] is some seriously strange shit. 

It couldn’t have happened any better then if I had scripted it myself. Sure we make our own luck, but the way things went the other night was something else entirely. Call it Karma, call it kismet, call it cosmic … or hell, just call it cool … but, the pieces all fell in place for a night to remember.

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So there I am in pub in London’s West End having a pint and eating pistachios. I walked by this pub two or three times before finally deciding this would be the place for me to take in the pre-Ronnie Wood show festivities. On the way there I stopped by the news agent to see if the latest Rolling Stone mag with Keith on the cover had hit the stands. Nope; Keith wasn’t on the cover, but latest edition, albeit in the UK it has Obama on the cover, was there. I gave it a quick thumbing and saw that the Q&A feature was with Ronnie. Cool…good vibes. 

So there I am, three-plus hours before the 10:30 start time (Ronnie played a 7:30 show, too) having a pint, eating pistachios and perusing the latest Rolling Stone mag feature on Ronnie. No sooner did I start in on the article did some fast talking, hard to understand English bloke from Essex blurt out to me, “so…you a fan of the Stones”?

And so it began…had I known that this casual meeting would turn into a cardinal moment in my rock and roll fan life, I would have bet the farm on anything being possible that night. 

“Yes, I am. I take it you are as well”, I replied. No sooner did I open the door for a bit of conversation did my new friend and his cohort kick the damn thing wide open and join me at my table. My two new friends, Mitchell and John, were most definitely Stones fans. John was more of a casual fan. Mitchell was more of the freak variety; I could tell Mitchell and I were going to get along just fine. 

It is at this point of the story I should mention that I posted a picture to this blog at that very moment. I had already taken the snap and was ready to upload it when Mitchell and John sat at my table. Right before I finally did, I added this statement: “Just met two Stones freaks. We are off to the races”. Little did I know that we would wind up in the winner’s circle. 

I knew I was going to like these guys straight away. We got on as if we’d known each other for many a year. We traded stories about concerts and I attempted to one-up Mitchell with tall tales from my concert going war chest. Mitchell was not to be outdone. He became a Stones fan in 1989 when the Stones came back out to support Steel Wheels. Mitchell has a friend who is a long time security man for the Stones. Mitchell has been to over one hundred Stones gigs and, thanks to his security friend, for many of them he was back stage behind the velvet ropes hobnobbing with the Stones and their hangers-on. My twenty-eight Stones gigs didn’t seem so impressive anymore. 

Nonetheless…we were not competing, rather, we were reveling in our shared fandom and shared stories of good times at great gigs. We talked endlessly about the music, too. It’s all about the music. It is why we are fans and it is why we are there at the shows. Mitchell and John know there shit when it comes to music. We talked endlessly about fave rave tracks, albums, lyrics…you name it, we talked it. That is the beauty about spending time out at a pub before the gig. It’s part of the concert going experience.  You meet people who share a love for the band/artists, you share a beer or two and you talk about all the reasons why you are a fan. 

We talked so damn much that we almost missed the gig. We threw down the last of our pints and then hustled off to the Ambassador Theatre. The Ambassador is a small venue that seats 444 people, but they only sold 380 seats for each show. We’re talking club sized seating in a old, classic theatre. Whew…there wasn’t a bad seat in the house…so I thought. 

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I bought one ticket right when they went on sale. When it came in the mail I noticed that it said, “restricted viewing”.  What this meant was that my seat was back underneath the balcony and from there, half your line of sight  to the stage (top half) was cut off. I couldn’t have this. I ended up purchasing a second ticket when a fresh batch went on sale. This one was up in the balcony, four rows back, dead center. Perfect.

So I had two tickets to the gig. I am truly into concert-karma. I have given away extra tickets to needy fans before. I was on such a high from meeting my two new mates and going into to see Ronnie live and solo, that I gave my second ticket to a needy fan just five minutes before the show started. Restricted viewing or not, it was still a good seat and a savvy concert goer would have made the best of it. 

We get inside the venue, grabs some beers for the ride and head for our seats. Like I said…seriously strange shit. Mitchell and John we sitting directly behind me. I was beginning to think this was a set-up?! Nevermind that, the concert was about to begin. 

The lights went down and the people stood up…cheering and shouting as Ronnie was introduced. Chris Noth, “Mr. Big” from Sex in the City was there to bring Ronnie out on stage. After a quick intro, Ronnie and his play-mates ripped into “I Got a Thing About You”, a track from his brilliant new album, “I Feel Like Playing”. 

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Ronnie was on fire. He looked fresh and fit and fired up. Forget that he played an early 7:30 gig, he was full of energy and was playing his ass off. The past year has been a crazy one for Ronnie. He got divorced, was a daily feature in the gossip rags, was rumored to be broke and booze riddled and, quite possibly, on the outs with the Stones camp. Yuck! 

Ronnie is survivor. He has done it all and played with them all. He’s been down low on skid-row and  ridden on high in the penthouses. The other night he was right smack dab in the center of his universe. The playing was excellent. It was showcase for his true, raw talent…benefited by his recent string of seven months sober and a new creative spark. This new spark most likely coming from his equally brilliant new solo album, a recent, proper London gallery showing of his artwork, a new half-his-age Brazilian smoker of a girlfriend and a new internet radio show. The man, as they say, is on a roll. Yes!

But what is a roll without the rock, eh? Ronnie had both the rock and the roll working to his favor the other night. They played one new song after another, each with the vim and the vigor of a band on the brink. There were few old chestnuts in there as well, with the lead singer from the Stereophonics helping out on “Debris”.  Bernard Fowler was there to support on vocals and all things that you can shake and make noise with. They also had the cast of Stomp on hand. They backed up Ronnie on three numbers, including maybe my fave rave song of the night, “Spoonful”. Quite a cool collection of sounds on that one.

At just about midnight, as soon as the last sounds of the encore, “Jumping Jack Flash”, trailed off and the band gave it’s final bow, Mitchell, John and I plotted out next move. Mitchell suggested that  the band was probably going to an after party close by and we should hang out front to see if a crowd started to head in any direction. Sure enough, we hear that across the street at The Ivy there will be a reception for the band. To the Ivy we went. 

We made our way inside and figured we’d camp out at the bar on the main floor. Not a good idea. We were told we couldn’t be there without a booking. They asked us to leave. OK, we took a shot. This was not good enough for Mitchell. Mitchell was quick on his feet. He recognized that people were heading to the elevator to go to the private room on the top floor. They were all showing passes to get them past security. Mitchell looked at me and I looked at him and with a quick wink from each of us and a nod to John, we ducked in the elevator.

We moved at a quick and confident clip. The security guy was busy handing some issue and we took advantage. Before anyone could say anything, the doors closed. We were in.

Oh yeah, we were in. When the doors opened we could see that there were already a dozen or so people in the room drinking and eating from the midnight buffet. We cooly sidled up to the bar and ordered a few cocktails, all the while waiting for the elevator doors to open up and then be dragged back downstairs by the door goons. That never happened. We spent the next few hours at the party mingling and hanging with all sorts of people…including Ronnie.

I am not a gossip person. I can’t stand any of that TMZ, E! TV crap. I loathe it. I wasn’t at this party to hobnob, rather I was just excited to slip in and possibly get to say hello to Ronnie. I’m sure that there were few celebs there that I didn’t recognise, but there were a few people there I did spot, Bernard Fowler and Chris Noth included. 

<Hey, we made it this far, I might as well go for broke. Mitchell, John and I spent the next few hours hovering around the room like satellites talking with anyone who wanted to speak with us. Every now and then we'd toss a few knowing glaces and shit-eating-grins at one another from across the room and then meet up to pinch ourselves. I did end up talking to the Stereophonics singer, chatting with Bernard about solo projects and ordered a whisky with ol' Mr. Big. OK, cool enough, but I would have kicked myself until Sunday if I didn't say hello to Ronnie. 

Mitchell and I were standing (not hovering) over by Ronnie’s table just talking amongst ourselves. Ronnie’s table broke up and as they were all walking away. Mitchell says to Ronnie, “Hello again Ronnie. I met you a few times on the Voodoo, Bridges and Bigger Bang tours. Brilliant show tonight. This is my friend Judd. He’s from the States and is here for your show”.

Blamo! Mitchell threw me in the deep end! I could see it in his eyes before he did it. I was ready for it. No big deal; I would have done it myself, but the push was a good one. 

A few weeks ago I put up a blog post and in the comments we talked about what we would or did say to our music heroes when we meet of have met them. Well, here I was…neck deep in my own moment. I was standing there with Ronnie…after just seeing him live, at the after party I was not supposed to be at, at about 1:30 in the morning while half in bag…just shooting the shit. 

I commented on the concert, his album and his radio show. I figured that if I got stuck for anything to say that I could talk about his playlist selections from his radio show. Good idea. For the next little while I rattled off songs he played to which he was surprised I remembered (me too!). We talked rock and roll from there on in. I didn’t ask him about the Stones or Keef’s new book or any of that, I just kept the dial on rock and roll and that was good enough.  After a few more minutes I figured I was flying a little too close to the sun, so I said thanks for the show and said goodbye. 

For me this was once in a lifetime. For Ronnie it was, “who the hell was that and why was I talking to him”…and that’s OK.  I got to say hello, talk a bit of rock and roll and then say thanks for all the musical turn-ons. Perfect. 

When I came back to Mitchell, he was smiling like the Cheshire Cat. He was happy to have helped me get in the party and meet a music hero, His work there was done…almost.

Mitchell, John and I stayed on for another couple of hours. We drank more and partied more…not that we need to, mind you. We were on a high. We cracked the code. We had green lights all night…why would we want it to end. But end it did…they kicked us out. 

The rest of the night is spotty at best. We do know that we ended up in a cab and I got dropped off first. Only because of the exchange of text messages between me and Mitchell about kidnapping Don Was so he couldn’t produce anymore Stones albums and a crazy voicemail from Mitchell, did we know it was after four in the morning. Rock and roll, indeed.

What a night. WHAT. A. NIGHT. Like I said: seriously strange shit.  I was happy just to being going to the Ronnie gig at such a small venue. I wind up meeting two cool cats who are into the Stones and music as much as me, we are sitting next to each other at the gig, we sneak into the after party gig and mingle with the velvet ropers and I spend quality time chatting with Ronnie Wood. Hot, middle of the Earth hot, damn!

I know, I know…it’s only rock and roll, but dammit, I like it.

—–

This is the voicemail from Mitchell that I found on my phone the next morning. Like I said, it was very late and we were stretched to the limits. Mitchell and John, two great blokes. Safe to say we are now officially friends and will be attending many a gig in the near future…and crashing as many parties as possible. 

Mitchell Voice Mail.m4a
Listen on Posterous

The New Werewolf of London is on the Prowl: Gilly, Fresh Ink & Warren Zevon

Good friends are just like good songs; you never get tired of ‘em. Whenever you hang with an old friend or hear a old fave rave song you get that same good timey, play it all night long feeling. A very good friend, actually one of my oldest and best friends, Gilly, just visited me in London. Cue the music…

Gilly and I go way, way back. We’ve shared some crazy experiences and some big moments in our lives (best man at my wedding). We share lots of likes: music, authors, scenes, habits and pastimes. We also share a love of tattoos. We love the idea of getting them and the act of getting them. Gilly has more than I do…many more…but we have equal appreciation for good skin-ink. Here is mine: 
You can check out when I got my full ink done in Sydney, Australia.

When Gilly travels around the globe or in the States, he likes to collect ink in almost each location he visits. While he was here he was hellbent on getting some London Ink. I was a bad wingman this time around; I opted not to get any. I have a master plan for acquiring more ink, but I’m not yet ready to kick it off. 

I made Gilly an appointment at a parlor in Soho called, Diamond Jacks.  On the day he was to meet the ink slinger I had to do a bit of work and said I would stop in halfway through his session. I jumped on the tube and made my way to Piccadilly Circus and then walked through the streets of Soho up to the parlor. 

Buried deep in the subconscious of every serious music fan is a vault of lyrics, stories, song titles and experiences associated with music. The littlest thing can start the synapse-a-firing and conjuring these random bits. Case in point: whenever I walk through London’s Soho, I can’t help but think of Warren Zevon’s “Werewolves of London”. I am a massive Zevon fan. “Werewolves” is not even in my top twenty fave rave Zevon tracks…but in this scenario, it is top of the list. 

As I was walking up the alleyway to the shop (singing “werewolves”), I see this guy standing outside. It was one of those double take moments: “is that…nah, no wait…it is!”. There’s my old pal Gilly, shirt off, tatts blazing and just chilling in the alley. He was out there on a break from getting inked. No shit. I started to laugh out loud. It was a brilliant sight. 

You had to be there. In this alley outside the tattoo parlor are a dozen or so sex shops, live girl/guy shows,drug dealers, freaks, pimps, dopers and scroungers. Here was a guy I have known since the sixth grade, a guy I have walked in step with for near twenty-six years, standing half naked outside a tattoo shop in the middle of London’s seediest of seedy spots. Epic. Strange. Shit Hot Cool.

Gilly’s fresh ink

Seeing Gilly there as he was in that scene was priceless. A werewolf in London, indeed. I’ll never get tired of thinking about that. I’ll never get tired of hanging with Gilly. And, I’ll never get tired of hearing a great Zevon song. 

Ah, Zevon…I miss you Warren Zevon. Fuck You cancer. 

Balls call here, but this is my fave rave Zevon track: The French Inhaler. The music is full of tempo changes, brilliant guitar fills, crescendos and lush, sweeping harmonies. The true genius…and that is no exaggeration…is found within the lyrics. Wow. What a story teller. You can taste the story and how the scenes play out. This is not a song, it is a movie and soundtrack all in one. This is cinematic as fuck. The way the lyrics build with the song at 2:52 and crash into what maybe one of the most perfectly placed guitar lines/fills ever. I have the chicken-skin just thinking about it. Listen for the “kiss-off” at the end. Genius, indeed.

You’ll want to check this out: 

Warren’s ex-wife, Crystal, wrote a jarringly honest, brutal and touching book on Warren’s life called, “I’ll Sleep when I’m Dead: The Dirty Life & Times of Warren Zevon”. Why did she write it? He told her she had to. He told her to be gut-wrenchingly honest. She was. Wow…I had no idea his shit was THAT fucked up. Whew. As tragic as it was, I couldn’t put the damn thing down. If you are looking for a good read, flip those pages. 

Here is an interview with Crystal. She talks about how she came to write it and also does a reading from it. It is a six minute vid, but well worth the time spent. 

Here is the song Crystal was talking about, “Mohammed’s Radio” from a 1972 performance. Jackson Browne is playing with Warren. If you don’t know Warren’s story, you don’t know that Jackson championed Warren in the earliest days of Warren’s career. Jackson saw the talent and helped Warren get the breaks. 

OK, since I mentioned it…even though Warren would leave the room if he heard it again… we have to hear it: “Werewolves of London”…live and unhinged. 

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