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Lou Reed pulls no punches: The Glitz & Glam, Grit & Grime of "New York"

It's six minutes past Midnight on Friday night in London. There are two dogs at my feet, I have a tumbler of Wild Turkey on the ready...but, I feel like I am skulking the back alleys and boulevards of New York City.

I'm in the mood to stand in shadows in a drizzling rain, smoke cigarettes and ask strangers for the time.  I don't like cigarettes, but I feel like smoking a few right down to the filter.  I don't really care what time it is, but I am anxious because I know something is about to happen...and I just don't want to caught by surprise.

Whenever I think of NYC I think about wee hours of the morning and a "real rain that will come and wash all this scum off the streets". I saw Taxi Driver before I ever went to NYC  It had a profound effect on me. I can't think about NYC without thinking of those early morning scenes of cabs driving along desperate streets with clouds of steam seeping up from manhole covers and Travis Bickle telling he is "waiting for the sun to shine".  

Every time I go to NYC I feel small. When I walk out of Grand Central Station, I get the feeling that I just drank Alice's potion that makes here shrink to the size of a short-stem rose. Though I have been there many times, I am stilled awed by the city and the stories it tells. That is what I find exciting...the stories that come from the glitz and glam, grit and grime dichotomy of this end-all-be-all, King Archetype of the "Big City".  

NYC: Iconic. Ironic. Exotic.  

You know who spins a true-grit, tell-it-like-it-is NYC story?  Lou Reed. He pulls no punches.  He walks that glitz-grime dichotomy line like cat burglar. 

I am on my third front to back listen of Lou Reed's "New York" album and I can't get off the ride. Actually, I don't want to get off the ride. I don't listen to Lou a lot, but when I do, I get stuck in. Especially into this album.  How can I not? Lou tells me that I have to. 

On the back of the album (and I am listening to this on vinyl), Lou informs us: "It's meant to be listened to in one 58 minute (14 songs!) sitting as though it were a book or a movie".

Those instructions are printed on there in black and white. Like a book, you can't read just one chapter. Like a play, you can't watch just one act. Like a crime you can't convict on one clue.  This is an album. A front to back, start to finish, sum of parts album. Make the time for it...

On the back of the album Lou also tells us, "You can't beat 2 guitars, bass, drum".  Damn straight, Lou.

And that is a good way to sum up this album: NYC stories of glitz-grime told in black and white honesty using the bare bones of the rock and roll sound.

"I'll take Manhattan in a garbage bag" - "Romeo and Juliette"

I took Lou's advice and I have been listening back to front and getting caught up in his NYC travelogue. Lou vents harsh on aids, the homeless, political hypocrisy and the zero-empathy, relentless struggle of growing up on the grime side of the NYC equation. It's an intelligent and biting tongue Lou uses with great effect. 

The album hit the streets in 1989 (21 years ago!?!). When it was released, Lou said, "this is as good as I get".  That is the blunt honesty that runs through all of Lou's work. That blunt honesty is what makes this album work for me. 

Does anybody need another million dollar movie.
Does Anybody need another million dollar star
Does anybody need to be told over and over
Spitting in the wind comes back at you twice as hard
- Strawman

Here are a few of my fave bow-down tracks of the album:

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There is one other Lou album that forces me to listen to it: "American Poet". It is a 1972 live NYC radio show performance. This is balls-out rock and roll. Lou told us on the back of the New York album jacket: "You can't beat 2 guitars, bass, drum".  He's obviously been following that edict for along time. Listen to these '72 performances...they are pure rock and roll!.

"Walk it and Talk It" is Chuck Berry on pills. "White Light/White Heat" straight up Eddie Cochran.  And "Rock and Roll" is, well, 2 guitars, bass and drum bare bones R&R truth. 
Make sure to have a listen to these as well:

 

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Filed under  //   Chuck Berry   Eddie Cochran   Lou Reed   Music   NYC   RIffs   Rock and Roll   Stories   Truth  
Posted by Judd 

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It's not what you play, it's how you play it: live music puts a tiger in my tank

"Music has always been a matter of Energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel. I have always needed Fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio." 

That is a quote by one of my heroes: Hunter S. Thompson. Hunter...I miss your honesty, your true grit and your wisdom. Oh, your wisdom; the wisdom found in this statement prances and preens like one of your precious proud peacocks. I can't agree more with what Hunter is saying here: Music = Fuel.

I want to take that one step further.  If music is indeed fuel, then live music is super-unleaded; high-test; moonshine.

I've been heavily into the live portion of my collection as of late. Great live albums/songs are touchstones to me. If I need a pick me up, if I need to be jolted or if I just need a cheap thrill...I can always turn to some fave live music. 

Case in point...I am trolling the back catalog lately in anticipation for three purchases that will happen in the next two weeks: all of them live. 

I love this time of the year. Record labels are putting out lush box sets hoping to hook holiday gift buyers and solo splurgers. I am a record company's chum; sharks sniff me out and attack and rip me...and my wallet...to shreds. Bring it on. These sets tend to be grandiose with a price tag to match.  It is not that I have money to burn...if I did I would be an arsonist...but I know what I like and what I gots-ta have.

The three sets I am pacing the floor for are:

The Rolling Stones: Get Yer Ya-Ya's Out [40th Anniversary Deluxe Version]. This is the proud black panther crawlin' up and down my hall. As far as live music goes, this may be the best show of 'em all: a flat-out, hands-down, sure-bet live masterpiece. This set has the whole kit and caboodle: Three LPs, three CDs, one DVD, books, posters and a lock of Mick's pubic hair. Go HERE to check out this magnificent booty.

This album may contain my fave live tune EVER: "Little Queenie". This song has it all: Mick teases the home crowd with a shout out ("You talk a lot New York City...."), it is a cover tune and it takes that cover tune and turns it into a stone cold monster...a raunchy, only when the moon is full, full-tilt, evil-twin version. It also has multiple guitar solos in it. "Little Queenie" sets the standard for what live rock and roll can be. All this and it has Keef Richards playing some of the his best riffs ever. Dirty.

Tom Petty & The Heartbreakers: quot; target="_blank">The Live Anthology. Four CDs of live TP & The HBs from way back to right now. Everything I hear about this positions it as bow-down material. I think I have to go BluRay version for this.

Tom Waits: Glitter and Doom - Live. I'm going for vinyl on this one. When ever I get done with a Tom Waits listening session I am unsure whether or not red means stop and green means go. Tom Waits swims against the current.

Live music...it is going to be my fuel for the holidays. I want to share a few fave live tunes with you. There is NO WAY I could begin to put together a  list of ALL of my faves...not possible. What I have for you here are ten front-burner faves that I always can turn to when my gage reads "E".  

Normally I like to embed a playlist here in this post; I couldn't find all the songs I wanted to share. Instead, I am gifting them to you in a download.  Tis the season, eh?  Here is what you will find in the playlist, including a bit of twitter'esque commentary on each:
  • Everyday I have the Blues (BB King - "Live at the Regal"): this is the first song on the album. The crowd is in BBs hand before Lucille's second solo rings out.
  • Live Wire (AC/DC - "Bonfire"): This takes place in a radio studio with a small live crowd. How do they strike sparks this fast?!  Combustible music.
  • Mean Woman Blues (Jerry Lee Lewis - "Live at the Star Club, Hamburg Germany"): Pure, unadulterated raw power. The Killer is on fucking fire here.
  • Walk It Talk It (Lou Reed - "American Poet"): Again this one is recorded live in a radio studio. Lou Reed is a rock and roller on this one...it has a definite Chuck Berry sound. 
  • Cowgirl in the Sand (Neil Young - "Live at the Fillmore"): Neil covers the spectrum of his guitar playing abilities on this: intense. Listen to Jack Nitschze's haunting piano: creepy.
  • Little Queenie (Rolling Stones - "Ya-Ya's"): Like I said, this is unmatched R&R.
  • Don't Think Twice Its Alright (Eric Clapton - "Bob Dylan 30th Anniversary Special"): "Bobfest", as dubbed by Neil. This might be Clapton's last great performance. The second guitar solo makes your head shake involuntarily. Whew. And...its a cover song.
  • Emotionally Yours (The O'Jays - "Bob Dylan 30th Anniversary Special"): Wow...this song has that rising power that takes you soaring with it. Emotional, indeed...
  • Caravan (Van Morrison - "Last Waltz") - Another qualifier of live greatness: the all-star jam. Van takes this one over the top with a handful of crescendos...and with a crazy purple spandex outfit [yikes!]
  • You Don't Know Like I Know: (Sam & Dave - "The Complete Stax Singles, Disk 4"): Arguably two of the greatest live performers ever. Listen to the fun and excitement in this one. You can't help but move to it. 
Download the "Live Moonshine" playlist HERE.

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Filed under  //   AC/DC   BB King   Bow-Down Post   Box Sets   Downloads   Eric Clapton   Hunter S. Thompson   Jerry Lee Lewis   Live   Lou Reed   Moonshine   Music   neil young   playlist   riffs   Rolling Stones   Sam & Dave   The O'Jays   Tom Petty   Tom Waits   Van Morrison  
Posted by Judd 

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