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Levon Helm Rings True: "Electric Dirt" gets a Grammy Nod for "Best Americana Album"

Nothing rings more true than Levon Helm's vocals.  Levon is not only a symbol of the lore of American music, he's lived it from the inside out. The struggle; the fortune; the fame; the riches; the spoils; the tragedy; the drama; the ruts; the ruin; the sickness; the rebirth; the legend; the legacy. 

This ain't your father's archetype.

Levon Helm rings true: Good Ol' Boy True. Hero True. Word is Bond True.


Congrats on the Grammy nod for "Electric Dirt".  This is easily in my Top 5 for 2009.  This album is has wisdom like rings on tree, it wears dusty boots and can swing like New Orleans rag.

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In Levon's November email newsletter, they listed out his top five fave dongs of all times. There should be no surprises here:

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Filed under  //   albums   Americana   Electric Dirt   Grammy   Levon Helm   pics   Truth   Tune Tags   vids  
Posted by Judd 

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The (record) Needle and the Damage Done: Neil Young's Vinyl Reissues have ruined my ears (for good)

"The sound.THE SOUND! The sound on this new Neil Young vinyl box set feels like someone dumped oxygen all over these songs. Now I understand".

That was my tweet 20 minutes into listening to the new Neil Young vinyl reissue box set. The sound on off this vinyl was completely overwhelming. There was depth in "Words" I never experienced before. I almost wrote "heard" intend of "experience", but that just would not do.

                 
Click here to download:
The_record_Needle_and_the_Dama.zip (11116 KB)

 

I played each one in its entirety front to back using my Sennheisser headphones. Those headphones plus this 180 gram super vinyl was a surreal experience. I don't think I could have enjoyed it more if I listened to it through my third friggin' eye...If I had one.

 

You are going to think I sound like a complete punter, but that first run through of these albums was like an ear-rebirth. The sound was so up in my head that it felt like Neil was in my face and was singing through it. 

 

The depth in the music felt like aural topography. "Words" was another experience altogether. I have listened to that a couple dozen times since last Thursday. It is INTENSE. Has anyone else heard this out there?  Am I wrong?  Tell me otherwise.

 

Whew. I wish I could share it via this blog, but shit video won't do. In fact, nothing is good enough. I am spoiled rotten now. 

 

Neil Young put out 17+ albums (including these reissues on vinyl) this year and I bought EVERYTHING. I even bought the BluRay Archives. I think this tops it for pure, I feel like I am falling through space and time, maybe I just died, someone pour me another drink, king-of-all sound listening experiences.

 

Thank you Neil's sound team.  Thank you Neil's Muses. Thanks, Ol' Neil. These grooves rip.

_____

Here are some vids I pulled off of Thrasher's Wheat.  The first is an actual pressing of the records and a second is a walk through of the packaging of the Neil V-Box Set (I'm #1,186/3,000)

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Filed under  //   Box Sets   Music   neil young   pics   riffs   vids   Vinyl  
Posted by Judd 

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Flipping Vinyl: A Lunch Hour Look in to London's Vintage Vinyl Bins

                 

Lunch breaks aren't just for eating...unless you use them to gobble up the best of London's vintage vinyl.

I have recently discovered that there are almost one dozen vintage vinyl shops near my office in London. I work off of Oxford Street, near Soho. I went for a stroll the other day and realised that I was smack dab in the middle of my London Record Shop Search map (find it here)!

This is dangerous for many reasons. In the next few months I see three things happening as a result of my lunch break discovery...I will get skinnier, my wallet will get lighter and my vinyl collection will get much fatter. The other problem I see is that I will have to come up with excuses as to why my lunch hour has turned into a lunch hours.

Damn the problems!  I have mass vinyl at my fingertips! 

I am going to use this post as a photo album for my lunchtime vinyl hunt exploits. The album will keep updating as I send pics frm my iphone (via the PicPosterous app).  I'll update the comments so that you can see when new vinyl haunts have been properly hunted.

To kick things off, let me tell you a bit about what I saw today:

The first shop I stopped in was"On the Beat".  This shop has been alive and owned by the same guy for 31+ years!  He not only had the coolest old vinyl, but he was playing great tunes...RL Burnside was blaring out from the shop into the streets when I approached the shop. He had all kinds of old Melody Maker, Creem, Rolling Stone original copies hanging on the wall; tons of artifacts and souvenirs, framed, autographed pictures; many racks of obscure, bootleg and special release vinyl.  

I need more time in this shop. Too much to take in just thirty minutes. I found a gem here though: an original pressing of Bob Dylan & The Band's, "Basement Tapes".  There'll be good rocking  at my place tonight for sure.

The second shop I stopped in was "JB's Records".  JB's was a bit smaller, certainly did not lack in volume of cool vinyl.  The shop itself has been there for almost 30 years; the current owner has had it for the last ten.

Here I picked up two classics from two fave acts:

  • Booker  T. & The MGs: "Green Onions"
  • Keith Richards: "Talk is Cheap" (first solo album)

Stay tuned for more vinyl bin flipping fun...

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Filed under  //   Bob Dylan   Booker T. & MGs   Keith Richards   London   Lunch   Music   pics   RL Burnside   The Band   vintage   Vinyl  
Posted by Judd 

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The night I witnessed Willie Nelson make a room full of grown women breakdown and cry

It was somewhere close to 11:30pm, we had been drinking all day and my apartment was full of chicks. Well, let me qualify that for you: the chicks  were actually my wife and her four best girl friends. We did in fact drink all day, out on a boat on Sydney harbour....and in a string of bars...and, finally, back in our apartment. 

As was the case, and as I am want to do in situations like that one, turned to the stereo.

Usually when I kick-off a late night song splurge, I pour myself a tall glass of Wild Turkey with plenty of ice. The occasion in question though called for something with a little more moxie: The Grievous Angel.  

What is the Grievous Angel?  It has only two ingredients: Mango Gatorade and Jose Cuervo (your mouth is watering, isn't it?). I only break out this particular libation for creating late night stereo vibrations. It's origins date back to living in Florida, playing my tunes at top volume, hankering for a mood alteration and only having only the two aforementioned ingredients on hand.  

Like they say, "If you can't be with the one you love, love the one you're with..."

With drink in hand, I started to pull songs from my vast collection in hopes of turing the girls on to new stuff.  Once they were knee deep in a serendipitous sound sampling, I decided to throw 'em a (country) curve: Willie Nelson. 

"Willie Nelson?!", they yelled out in unison. "Please don't play Willie Nelson. If you are going to play country, at least put on some Brad Paisley or Keith Urban".

[silence]

After they picked me up from the floor and wiped away the blood that tricked from my ears, I attempted to teach them a lesson about country music. 

"Country music," I told them, "comes in four flavours: Willie, Johnny, Waylon and Merle. There is no room in country music for candy-assed cowboys, "guyliner" or GAP ad posers. Just because you sing about your truck, heartache and BBQs doesn't mean you are fucking country singer".

They laughed at me: "What do we want with that craggy ol' country fossil anyhow?" 

Surely the drink had gotten to them. They were delirious, crazed from the heat, strung out on hubris...but, they persisted.

"What makes you think Willie Nelson is going to be able to sing anything that'll make us swoon over him? He looks like his horse has been riding him for all these years. He was lucky Julio Iglesias let him sing with him". 

Things were getting out of control and really staring to amuse themselves. I had to put a stop to it and there was only one thing left to do...take a deep swig of the Grievous Angel, give the gals a steely look and pull out the big gun: "Song for You"

Do you know this song?  It was written by Leon Russell in 1970. Aside from Willie's version, it was most famously covered by Donnie Hathaway (another personal fave performer of mine). Here is a wikipedia link for the song if you want to see who else covered it (please, I BEG of you, forget the fact that Michael Buble covered this song...in fact, forget that Michael Buble ever existed).

"Song for You" is a flat out heartache no matter who sings it (aside from "you know who"..."MB"). I love the Willie version best.  If you didn't know it before, after listening to his vocal, you know that that his voice is one of the true treasures of American music. It is not just country, it is Country; USA...pilgrims; pioneers; patriots.

For my my money it is one of the best straight vocal performance ever put on record. It is such a clean vocal. It has depth and sincerity and feels like an apology, a love letter and a pleading, yearning request for forgiveness and appreciation.  Seriously...I am not overstating this. Really...

The girls decided to give me and Willie one shot to win them over. I played "Song for You" for them. I quieted the room, turned the lights down a bit, moderated the volume to give the vocal the right effect, and I hit play....

Have you ever had a good cry?  The ones that make everything right and cause you to laugh out loud? You're not really sure why you are crying, but you feel the need to just emote. Yes? No? Well, this is what the room felt like at the end of that song. The girls that had never heard it (my wife excluded) sat quietly until sniffles and tears gave way to smiles and call-outs to "play it again...in fact, don't stop playing it".

I knew it would work.  We played the song over and over again until one by one they started to nod off. I had tried to play other Willie tunes, but it was too late...they had been sweetly seduced by the Redheaded Stranger. 

They swooned for Willie.
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You should have a listen to the other two versions I recommend: the original version by Leon Russell (again, he wrote the song) and the incredible, soul-drenched version by Donny Hathaway:

Also, you MUST watch this video of Leon, Willie and Ray Charles do this song on one of Willie's primetime TV "Willie & Friends" specials. Ray was in bad health and there was question if he could make the show. He ended up not only making the show, but stealing it with his performance here.  

Watch Willie get lost in Ray's presence as he tries to hold back his own tears. Shit, I just stopped writing to watch it again...son of a bitch choked me right up. Whew. Powerful.

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Post Script: 

When these girls flew from the States to visit us in Sydney in 2008, they all stayed at our apartment. Four women visitors, a wife, two dogs and me in one apartment. Can you imagine the shit-fight I would have had trying to get into the ONE bathroom?  

I was a bit scared about this..until my wife approached me with one of the best ideas she has EVER come up with. She said, "Would you mind if I just rented you a small hotel room in the city while the girls are here?"  

Reason #108 why I love my wife.  

Ah the bachelors life...just like riding a bike. I felt like I was in my Boston apartment again: no TV, only beer and water in the fridge and music playing 24-7 (minus all the other stuff...because playing bachelor is much different that actually being one).

Here are some snaps of my (temporary) home-sweet-home.

     
Click here to download:
The_night_I_witnessed_Willie_N.zip (1534 KB)

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Filed under  //   australia   Bachelor   Cover Songs   Donny Hathaway   Grievous Angel   Leon Russel   Music   pics   Ray Charles   Sydney   Tequila   Tune Tags   vids   Wild Turkey   Willie Nelson  
Posted from Sydney, Australia
Posted by Judd 

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The Sunday Sauce: Scenes from The Soul Kitchen

Back in August I posted about a family tradition: the Sunday Sauce. Each Sunday my old man would make a homemade pasta sauce. There is lots of Italian blood running through both sides of my family.  Have a read of that post to find about more about the tradition if you like.

Today is Sunday and I needed the plasma. I cooked up a batch of sauce and took a few snaps. As always, the key ingredient was used: music. Nothing like spending an hour or so making sauce with good rhythms and good blues playing in the background.

I have an iTunes playlist I created that I use as the soundtrack to my cooking; its called, 'Blues With a Feeling".  It is a great blend of Blues, Gospel, Country, Soul and R&B...all old, old school. Just the way I like it.

A little bit of garlic, a little bit of oregano, a little bit of Booker T. & the MGs, a little bit of Waylon Jennings and a heathy dose of Bettye Lavette.

Perfect

                                   

p.s. I made enough for everyone. Come over if you want. Bring wine.

(If you've never heard this Bettye LaVatte song...LISTEN NOW!  The Drive-By Truckers are backing her up)

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Filed under  //   Bettye Lavette   blues   Booker T. & MGs   Country   family   Gospel   home   Italian   Pasta   pics   playlist   Sunday   Sunday Sauce   Waylon Jennings  
Posted by Judd 

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Vinyl Vagabond: Something Old, Something New, Something Southern, Something Blues

Yesterday I was enjoying walking aimlessly through the streets of London.  I hopped trains and hoofed sidewalk ("footpaths" if you are in London) for the entire morning and most of the afternoon. My vagabond-like wandering ways led me to East London's, Brick Lane.  Brick Lane? That sounded familiar.  Why? That is where Rough Trade Records (East) is. Perfect.

This was one of prime stops on my London record shop search.  I had already been to the Notting Hill Rough Trade shop and liked what I bought: a classic, out of print (vinyl), Neil Young album. My music-mate, Kip, gifted me 50 quid worth of Rough Trade vouchers and I used some of them to get the Neil vinyl. I used up the rest of the credit yesterday in glorious fashion. 

This was my first trip to this particular Rough Trade location. I needed to survey the scene before I started flipping through the vinyl for buried treasure. Right when you walk in there is an espresso cafe on the left. To the right is a lazy lounge setting where you can caffeinate, chat or check out your recent booty. The walls are littered with playbills, "drummer wanted" notices and other images and adverts. It is a hodge-podge of knick-knacks and paper scraps that I find entertaining if not curious. 

                       
Click here to download:
Vinyl_Vagabond_Something_Old_S.zip (11387 KB)

They have a lot of stuff there. Books, CDs, T-shirts, Logo'ed bags, pins, posters and, ah, oh yeah...music. There are vinyl bins, CD racks and DVD shelves. In my opinion, there was too much stuff. The store is a big space and they may be trying to fill it. I think it could have had more of a music focus in its layout.  If you have ever visited Newburry Comics located in greater Boston (USA)...that is what this Rough Trade shop felt like to me. A bit (too much) of everything, with the music standing the shadows. That being said...I loved the place.

They did have a great listening station up at the counter.  You can sample anything you want and take all the time needed to do so.

The vinyl section was decent; to be honest I expected more. The shop in Notting Hill had more vintage vinyl, which is what I am after mostly. Fine. that may the way they have the shops differentiated. Nonetheless, I was here for vinyl and vinyl I would get.

I went straight for the blues section. There were twenty or so records there to flip through. I found a few I really liked by Blind Lemon Jefferson, and Charley Patton (my fave prewar  Delta Blues man). These are not original pressings, mind you, but they are well crafted vinyl reproductions. The Blind Lemon album was a collection of songs called, "I want to be like Jesus in My Heart", released in 2009 on the Monk label. The Patton album was also from Monk; for my taste it packed much more of a wallop than the Blind Lemon set. 

Something Old, Something Blues

The Patton album I ended up buying is called, "Electrically Recorded: Prayer of Death". Actually, this is one album in a four album set that Monk has put together called, "Charley Patton: You're Gonna Need Somebody When you Die - The recorded works of Charley Patton". It covers Patton's work from 1929 - 1934 and is presented in simple and straight forward packaging. I already own all Patton's recordings...and then some. I own the extremely well done and unabashedly over-the-top box set called, "Screamin' and Hollerin' The Blues".  Allmusic calls it, "perhaps the most lavish, nay incredible, box set ever devised for a blues artist...". Click the link below to check this out. It is one my cherished possessions (a gift from my wife last xmas along with my turntable...she's so cool).

p.s "I'm Going Home" was just covered by the Derek Trucks band on their recent album, Already Free.

Something Southern, Something New

The other two pieces of vinyl I bought are by the Drive-By Truckers. This is one of the new bands I like. I say new only because so much of what I listen to on a daily basis is considered old (I prefer lasting). These guys flat out rock. They are born of a southern tradition that draws on memphis routes and southern rock stalwarts like Lynyrd Skynyrd. 

The Truckers tell dark stories with vibrant imagery. They can rev up rockers and lay down ragged and southern-soulful ballads. I love their albums, especially the two I found on vinly: "Decoration Day" and "The Dirty South". If you aren't familiar with them, please go and find them out. They put on one hell of a live show, too. You leave feeling exhausted and exhilarated. 

The Goods

The music you hear in this clip is definitely not Charley Patton...it was what was playing in the store (I was wearing headphones).  But, it is Ol'd Charley spinning round and round.

(download)

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Filed under  //   Charley Patton   Drive-By Truckers   London   Music   pics   record shops   Rough Trade   The Goods   Tune Tags   video   Vinyl  
Posted by Judd 

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The Lure Of Going Around is strong in Honeyboy Edwards: A front-row review from when he brought the Mississippi Delta to London last weekend.

(Me & Honeyboy)

Either prior to or while reading my Honeyboy Edwards experience, you may want to play this bit of audio from the show. I was close enough (front row) to capture near the last 25 minutes on my iPhone. If you want to wait until after, fine.  I'm sure you will be playing it more than once. 

Oh yeah...those two instances where you jerk your head upwards and say in amazement..."HOT DAMN"!...after you hear what you hear, are at 7:35 and 15:23 in the recording. Enjoy.

  
(download)

I am standing four feet from David "Honeyboy" Edwards and my needle is in the red. I am rooted hard where I stand, up against the front of the stage...but I feel like vapour. I feel like I am a massive exhale exhorted out in to the atmosphere, swirling around to make sure everyone understands the significance of what is about to happen next.

At any moment, the Blues is about to emerge from a hole in wall and walk right up on the stage, sit a spell and play awhile. Yes, The Blues. The Blues will be here tonight. Not in black and white; not in folk or lore; not in contemporary mimicry. The Blues will be here, live and in the flesh, and it is going to show us just how blue you can get.
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I am in a small London bar cum music venue cum makeshift Mississippi-backroad juke joint. The stage is a rag-tag collection of folding chairs, assorted bits of rug, wires, microphone, amps and opened guitar cases. The stage is flooded in a velvety red glow from the dim white lights bouncing off the old ragged red curtain that is draped behind on the wall.

The house is three-quarters full and the opening act has just finished his set. People are rushing around to refresh their drinks. Some are grabbing two or three beers at a time to last them for the entire next set. Some are knocking back ceremonial shots of whiskey to prep themselves for what they are about to experience. For some, moving nary an inch from where they stand is not an option.

For these people...the non-movers...us...nothing could be more important right now than the anticipation of what is about to happen. One of the last two, and the only touring, living legends of the Delta Blues is about to play. David "Honeyboy" Edwards is 94 years old.  He has played the blues from the Mississippi's Delta on up to Chicago and all the broken down juke joints in between. The list of the blues legends he has played with can drop jaws: Tommy Johnson, Son House, Charley Patton, Robert Johnson, Sonny Boy Williamson, Lightnin' Hopkins...utterly staggering. He has played with them all at one point and tonight he channels them for us. 

Ninety-four years old. This ain't no oldies act. This man knows what he is doing. He knows who he is and what he represents. He knows why he is here and what he must do. Ninety-four. If it is true that age brings wisdom, then Honeyboy Edwards must be one of the smartest motherfuckers on the planet. 
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If you have been reading along on this blog you know I am a fan of the blues...to say the least. This gig was a bow-down event for me. One week after I move to London I visited Rough Trade records in Notting Hill. I am in the store and I see a concert bill for a Honeyboy Edwards show. There are a lot of old posters and playbills on the wall in Rough Trade and I assumed this one was an oldie and goodie. Not so.

I was in disbelief and disoriented at the thought of actually being able to attend this gig. I rushed home to get tickets online. I couldn't miss this show for anything. I had to be a part of this.  I had to be one in the crowd, clapping for and cajoling Honeyboy to play those country blues. 
_____

We got to the gig early I cemented myself in the front row to what would be Honeyboy's left. The first act, Les Copeland, proclaimed Honeyboy to be his hero. He played his set and played in a respectful manner that greased the skids for Honeyboy. I'm sure Les could have played with a bit more glint and flash; his subdued set was more than enough to let us know he has chops. 

Near the end of Les' set, Michael Frank came out to play an accompanying blues harmonica. Michael Frank is Honeboy's manager.  he is also an eccentric, a music producer and owner of Earwig Music. Honeyboy and Les are Earwig artists. Michael played one song and then went out back to get Honeyboy. 

Oh shit: Here come The Blues. Steady, Judd...steady. 

Honeyboy came out dressed in trademark shirt, vest and flat-rimmed "Chicago" baseball cap. Ninety-four years old. I wasn't sure what to expect. I anticipated feeling sympathy for the old buck. Surely the show was going to be more a figment of the blues than a fertile reading of it.  Oh, how wrong I was. 

Honeyboy Edwards played like a man possessed. Not possessed by the devil nor any other fabled figure...but with the spirit of youth.  I can only surmise that it is the passion he has for what he is doing and what he represents that allows him to play with such vigour and showmanship as he did last Friday night. 

He played smooth and he played dirty and he did each with a knowing confidence. He was engaged with his music and engaged the audience with kicks and gestures that were both a play to crowd and a natural reaction. He played for 1hr and 45min without a break.  He played lead guitar (with Les playing rhythm far in the background), he played slide guitar and he played dobro. He played it all with a gusto and sincerity that only a man who has played as long as he has, could. 

I was completely blown away by his slide work...especially when he brought the dobro out. It was a slashing and stinging sound that called for attention. In the audio clip I have provided for you, be sure to have your ears open for the 15:23 mark. Honey tears of a slide riff that give you the chicken skin (that is me with my knee-jerk "Whhooaa!" when the Honey takes off).

Yes, there were some bum notes, but no one cared. Honeyboy Edwards was serving some authentic Delta Blues and the crowd was lapping it up (just listen to us!). 
_____

I didn't move the whole night...literally transfixed with a huge, shit eating grin plastered on my face. Honey was looking at me a few times during the show. I was hopeful that my expression was egging him on, letting him know that he was nailing it and to keep stoking it. He must have thought I was some crazed lunatic. I could stop grinning. 

Why should I have?  This was the living Blues. A seminal figure who has toted the Blues Legacy around with him for many a year. I am so thankful for the opportunity to see Honeyboy live. He has a presence and I was in it. He is Honeyboy Edwards, but he is also the Mississippi Delta, West Side Chicago, South Side Chicago, Junior Wells, B.B. King, Muddy Waters, Howlin' Wolf, The Allman Brothers, Stevie Ray and Keith Richards and so many, many more. 

He knows his past and he knows his future is a day-by-day uncertainty. Friday night he played like neither mattered. He was in the momenplaying his blues, the real Delta Blues, for the people...as he has for the last ninety-four years.

Thanks, Honeyboy. 

Honeyboy's website
Earwig Music's website
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Seeing as I was so close I was able to capture some sights and sounds of the show.  In addition to the audio above, I have some snaps and some short clips of video (no disrespect to Honeyboy and his management intended...I just want to share).  

The Goods

Honeyboy Gig Photos: Here are some snaps from the Honeyboy show.  I only had my iPhone 3GS with me, so the pictures are not of the highest quality:

A short video clip of Honeyboy taking the stage and warming up:

Two quick clips of Honeyboy: Honeyboy giving his manager the business & a short clip of Honeyboy in action.

(download)

(download)

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Filed under  //   Audio   blues   Bow-Down Post   Delta Blues   Honeyboy Edwards   legends   live   London   pics   riffs   The Lure of Going Around   video  
Posted by Judd 

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London Music Shops: The Search for The Sounds & The Scene

For the past four years I have spent close to every Friday night at my fave local Sydney Australia record shop, Mojo Music.  At Mojo they serve up "The Best of the Fringe and All of the Backbone".

I have written many posts about that joint and why I loved it so much.  It is unlike any retail shop that you will walk into.  Have a read of any of these links below if you haven't been keeping up with the Mojo happenings on The 6149.
Images from the Mojo Scene


Now that I moved to London I need a new place to talk, listen and buy music. But where am I going to find a shop that has an owner who cares so much about keeping The Feel alive?  It wasn't just about buying music.  No, it was about experiencing it in the shop with like minded musicheads in a place where you could throw back a dozen beers and that felt like you were in your own living room. Tough...impossible?...act to follow.
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London has a lot to offer in the way of a record shop vibe. Which London record shop has the right combination of Sounds & Scene to fill the Mojo void left behind...? I aim to search high and low to find the right shop for me. 

This list has no room on it for the big chain stores. This list is as much about feel as it is sound. Chain stores don't have The Feel. Independent music stores do. This list is all about the independent shops.

This is a map of suggested independent record shops throughout London (new & used). I'm going to hit the trail and find the right one to make my music nerve centre. If any 6149 readers know of any other London record shops that are not on this list that should be, drop a comment in the box and I will add it on.  Likewise, if you have any firsthand thoughts on any of the shops on the list, hit the box with a few words.

I reckon that the first shop I walk into and has the Bo Diddley beat playing is an automatic winner...

Map Link: London Music Shops: The Search for the Sounds & the Scene

Go to the map in your browser for a closer look. You can get shop info and links to their sites.


View Larger Map

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Filed under  //   London   maps   Mojo   pics   record shops   riffs  
Posted by Judd 

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