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Tammy Wynette: "She's Just Unrelenting" (painted up & powdered up and ready to go bad)
If you are a fan of country music...real country music...you most surely will be interested in this book about a true queen of the country music scene: Tammy Wynette: Tragic Country Queen.
I'm not a huge Tammy fan if for no other reason than that I am a causal listener...for now). That being said, I've never left the room or hit the skip button when her pipes are working their magic. I found this interview with the book's author, Jimmy McDonough, on NPR. Says, McDonough: "I have a theory that great artists learn how to do one thing great. And that's Tammy," McDonough says. "In terms of a slow, sad song, nobody could rip it up like Tammy. She is just unrelenting."
When she gets to the chorus, Wynette belts out the words with the force of an air-raid siren, yet barely bats an eyelash. There's zero body language—the drama's all in the voice. She doesn't act out the song or punch her fist in the air; in fact, she barely moves an inch. Tammy the statue. Until a Tinseltown choreographer teaches her some questionable dance steps in the mid-eighties, Wynette will remain frozen onstage. The anti-style of Tammy's wax-figure performances absolutely mystified Dolly Parton. "I could not believe that all of that voice and all that sound was comin' out of a person standin' totally still. I'd think, 'How is she doin' that?' It seems like you'd have to lean into your body or bow down into it or somethin' to get all of that out. I've never seen anything like it to this day. I was in awe of her. I thought she had one of the greatest voices of all time."
Editor's Note: "For Good or Ill" - Hunter Thompson returns to Rolling Stone (1973)
A few snaps from the Rolling Stone with Hunter's return to form
Bring on the gibberish!
I recently scored a few vintage Rolling Stone Magazine back issues at my local independent record shop. The walls are lined with these suckers. I was in there at lunch time doing my "Lunch Break Lacquer" routine and I spied a couple oldies, but damn goodies.
One of the ones I picked up was from 1963, issue number 128 with Bette Midler on the cover. Nothing against Ol' Bette, but her mug never enticed me to buy a magazine before...and may never, period. The reason why I picked it up was for the Hunter S. Thompson article, "Fear and Loathing at the Superbowl".
Hunter had been absent from the pages of the fabled rock rag for sometime (whereabouts unknown), but returned to the mag and returned to form in one fell swoop. The Superbowl was being played in Los Angeles that year., where the 'Skins" and "Fins" would go head to head in a battle of the bored in what resulted in a nationally televised snooze fest.
The night prior to the game, The Good Doctor was holed up in a San Francisco (up all night, of course) drinking coffee and Wild Turkey, smoking short Jamaican cigars, while getting "more and more wired" on the Allman Brother's, "Mountain Jam" that was howling out of four big speakers hung from each corner of the room".
The next night he made haste to LA to catch the game. He spilt the gory details all over this issue of Rolling Stone. At the bottom of the article there was a note from the editor (see pic). Apparently they were happy to have him back...as I am sure the reader's were as well.
Hunter, back on the gig..."a man on the move and just sick enough to be totally confident"
I just tore up Chuck Klosterman and left him alone in a London Pub bathroom (15% of a true story)
I like to do my reading in bars. I like that reading is a solitary activity; I don't like solitary confinement. I like to read in bars because there is always background action. It reminds me of when bar bands play where half of the audience is listening and the other half is fragmented with loud conversations, hook-ups, put downs and bar flies who drink Mad Dog margaritas and roll funny cigarettes.
- Posted from Kensington, United Kingdom






