- Posts tagged Tom Petty
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New bow-down material from Tom Petty & The Ass-Kickers: The line forms behind me for the new album...
This is shit-hot. Mike Campbell...meet your new Guitar Hero moniker. Someone put a fucking tiger in his tank.
The Klieg Light Club: When great artists go from "true to form" to "true to formula"
Recently I posted about keeping it simple in 2010. Let's chalk this one up as a sequel to that post. This time it's about keeping it real in 2010.
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Have you seen the movie Precious?
Yes? [collective exhaling, wide-eyed looks and shaking of the heads]
No? Well then, you must see this movie. It is a harrowing story about the human will and the extreme, extremely extreme, challenges it can endure. The movie has been much talked about in the media and on blogs. In a flick filled with shocking moments, one of the most shocking is the performance of Mariah Carey.
Everyone knows who Mariah Carey is, right? Yes, of course we do. She is known as a self-indulgent, high-maintenance, look-at-me, glamour-puss. In Precious she played a run-of-the-mill social worker. For the role, Carey stripped off her Diva persona and played the ugly duckling. In her own words:
"I had to lose all vanity," Carey said. "I had to change my demeanor, my inside, layers of who I am, to become that woman."
Oh my, Mariah. Oh, my. Where to start...? Let's start with the "layers of who I am" part of that statement. How crazy is this shit? She really believes she has these "layers". Is this a bad case of the stardom flu or is she serious. My guess is that she thinks she is serious. My guess is that she thinks that people don't understand that she is a real person underneath it all. My guess is that she thinks that moonbeams and winged unicorns shoot from her ass every-time she farts.
The ironic thing here is that Mariah thinks that she is acting in this movie when, in actuality, it may be her most real performance yet. As I sat in the theatre watching this, I thought to myself, "damn, she seems normal...why doesn't she come off this way all the time"? Forget the no make-up haggard appearance, it was her likability that got me. Why does she chose (yes, choose) to come off so damn self-important and narcissistic in the press?
She is caught in the crossfire of the klieg lights. She was a earnest singer with pipes that dominated the charts. Now she is a indulgent Diva with performances that overwhelm the gossip rags. Just like so many artists, be they actors or musicians, Mariah lost her essence.
How many others has this happened to? Countless. Here is one that comes to mind:
Rod Stewart: Wow. Rod used to be a rocker. He had swagger. He had rough edges. He had the last laugh. Now he is a laughingstock. Has there ever been a career that has experienced such a downward spiral. Seriously. He started out with Long John Baldry, fronted the Jeff Beck Group (brilliantly), led the almighty Faces, absolutely nailed five out of his first six solo albums (Smiler being the lone dud), and then... what the fuck happened? He became a star, that's what happened. Klieg lights...everywhere.
After "A Night on the Town" he started to fall apart. All of his rough edges became polished and glossy and he fell into the glits and glam of the '70's slipstream. He went pop chart and disco with "Footloose & Fancy Free" and "Blondes Have More Fun". He became fodder for urban legends involving blow-jobs and stomach pumping. He limped into the '80's with infrequent blips on the charts with songs hearkening back to days of yore. He rekindled old flames with live albums of old hits. And now...now he sells albums of covers songs to baby boomers, who, like Rod, think that almost is good enough. Yuck.
The Good (the very good)
The Bad
The Ugly
I feel dirty after that last video. I need to go play "Gasoline Alley" front to back right now to restore my faith in the gravel-throated goodness that once was Rod Stewart.
Who else belongs in the Klieg Lights Club?
- Elton John (the earliest stuff was so damn earnest)
- Robbie Robertson (stop with the Indian albums and the movie producing and put out the classic you know you have in you..please!)
- Stephen Stills (so much talent + so much meandering = coulda, shoulda, woulda)
- Mick Jagger (solo stuff specifically)
- Aerosmith (Dude looks like a train-wreck...)
- Gregg Allman (he lost his way when he lost Duane...Allman and Woman? Check out that link...WTF is that album cover all about!?! Come on?! That never would have happened it Duane was still alive).
On the flip-side, there are those who have stayed true to the course. A sampling of the many that are in the Real Deal club:
- John Fogerty
- Tom Petty
- Levon Helm
- Bruce Springsteen
- Tom Waits
- Roger McGuinn
- Keith Richards (solo albums and guest-star appearances seal the deal)
- Neil Young (They King of Them All Y'All...in fact, he may deserve his own club)
What do you think about those lists. Agree? You have any additions to either one?
Poorman's Podcast: Working for the Man - 1st day on the new job & last resort to find new tunes
via AudioBoo
Time to kick back and listen to the sweet sounds of a desperate (working) man who spent the day towing the line and running down phantom tunes.
(hey, it's only five minutes long...have a listen)
p.s. that opening song...can you guess who that is?
It's not what you play, it's how you play it: live music puts a tiger in my tank
"Music has always been a matter of Energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel. I have always needed Fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio."
That is a quote by one of my heroes: Hunter S. Thompson. Hunter...I miss your honesty, your true grit and your wisdom. Oh, your wisdom; the wisdom found in this statement prances and preens like one of your precious proud peacocks. I can't agree more with what Hunter is saying here: Music = Fuel.
I want to take that one step further. If music is indeed fuel, then live music is super-unleaded; high-test; moonshine.
I've been heavily into the live portion of my collection as of late. Great live albums/songs are touchstones to me. If I need a pick me up, if I need to be jolted or if I just need a cheap thrill...I can always turn to some fave live music.
Case in point...I am trolling the back catalog lately in anticipation for three purchases that will happen in the next two weeks: all of them live.
I love this time of the year. Record labels are putting out lush box sets hoping to hook holiday gift buyers and solo splurgers. I am a
record company's chum; sharks sniff me out and attack and rip me...and my wallet...to shreds. Bring it on. These sets tend to be grandiose with a price tag to match. It is not that I have money to burn...if I did I would be an arsonist...but I know what I like and what I gots-ta have.
The three sets I am pacing the floor for are:
The Rolling Stones: Get Yer Ya-Ya's Out [40th Anniversary Deluxe Version]. This is the proud black panther crawlin' up and down my hall. As far as live music goes, this may be the best show of 'em all: a flat-out, hands-down, sure-bet live masterpiece. This set has the whole kit and caboodle: Three LPs, three CDs, one DVD, books, posters and a lock of Mick's pubic hair. Go HERE to check out this magnificent booty.
This album may contain my fave live tune EVER: "Little Queenie". This song has it all: Mick teases the home crowd with a shout out ("You talk a lot New York City...."), it is a cover tune and it takes that cover tune and turns it into a stone cold monster...a raunchy, only when the moon is full, full-tilt, evil-twin version. It also has multiple guitar solos in it. "Little Queenie" sets the standard for what live rock and roll can be. All this and it has Keef Richards playing some of the his best riffs ever. Dirty.
Tom Petty & The Heartbreakers: quot; target="_blank">The Live Anthology. Four CDs of live TP & The HBs from way back to right now. Everything I hear about this positions it as bow-down material. I think I have to go BluRay version for this.
Tom Waits: Glitter and Doom - Live. I'm going for vinyl on this one. When ever I get done with a Tom Waits listening session I am unsure whether or not red means stop and green means go. Tom Waits swims against the current.
Live music...it is going to be my fuel for the holidays. I want to share a few fave live tunes with you. There is NO WAY I could begin to put together a list of ALL of my faves...not possible. What I have for you here are ten front-burner faves that I always can turn to when my gage reads "E".
Normally I like to embed a playlist here in this post; I couldn't find all the songs I wanted to share. Instead, I am gifting them to you in a download. Tis the season, eh? Here is what you will find in the playlist, including a bit of twitter'esque commentary on each:
- Everyday I have the Blues (BB King - "Live at the Regal"): this is the first song on the album. The crowd is in BBs hand before Lucille's second solo rings out.
- Live Wire (AC/DC - "Bonfire"): This takes place in a radio studio with a small live crowd. How do they strike sparks this fast?! Combustible music.
- Mean Woman Blues (Jerry Lee Lewis - "Live at the Star Club, Hamburg Germany"): Pure, unadulterated raw power. The Killer is on fucking fire here.
- Walk It Talk It (Lou Reed - "American Poet"): Again this one is recorded live in a radio studio. Lou Reed is a rock and roller on this one...it has a definite Chuck Berry sound.
- Cowgirl in the Sand (Neil Young - "Live at the Fillmore"): Neil covers the spectrum of his guitar playing abilities on this: intense. Listen to Jack Nitschze's haunting piano: creepy.
- Little Queenie (Rolling Stones - "Ya-Ya's"): Like I said, this is unmatched R&R.
- Don't Think Twice Its Alright (Eric Clapton - "Bob Dylan 30th Anniversary Special"): "Bobfest", as dubbed by Neil. This might be Clapton's last great performance. The second guitar solo makes your head shake involuntarily. Whew. And...its a cover song.
- Emotionally Yours (The O'Jays - "Bob Dylan 30th Anniversary Special"): Wow...this song has that rising power that takes you soaring with it. Emotional, indeed...
- Caravan (Van Morrison - "Last Waltz") - Another qualifier of live greatness: the all-star jam. Van takes this one over the top with a handful of crescendos...and with a crazy purple spandex outfit [yikes!]
- You Don't Know Like I Know: (Sam & Dave - "The Complete Stax Singles, Disk 4"): Arguably two of the greatest live performers ever. Listen to the fun and excitement in this one. You can't help but move to it.
Download the "Live Moonshine" playlist HERE.
The CD Conundrum: Coasters or Collectors Items (What the hell should I do with my 1,000+ CDs?!?)
Images of me unpacking and resorting my CD collection in my new London flat.
For those of you who do not know, I have been on my own World Tour of sorts as of late. In 1996 I lived in Newport, Rhode Island. In 1998 I moved up to Boston, where I met my wife (at a Tom Petty concert: find out how here). In 2002 we moved from Boston to Ft. Lauderdale, FL. In 2005, we made the big move around the globe to Sydney, Australia. This past September we relocated to London; ironically we now live on Sydney Street.
There are two things I have always traveled with no matter where I have rambled: my wife and my music collection. Arguably these are the two most important things in my life; I couldn't do without either. Funny though, I have had a longer relationship with my music collection than my wife (she and I have been together over 10 years). My wife is not the jealous type, nor should ever have reason to be: I am an extremely loyal and dedicated man. Which is why she shouldn't be surprised at my resistance to want to shed my vast collection of CDs.
My collection is 1,419 albums and box sets strong, consisting of both CDs and downloads. Recently I have converted back to vinyl (75 albums and growing) after decades of turning a deaf ear on their sonic brilliance. You can read through it all here in a live-list I created in a Google Doc: Judd's Juke Joint. I update this whenever I add to it. There is also a tab for my music related DVD material as well.
Before I go any further, let me say this: as far as I am concerned my collection is 99% fat free. While I do think that size matters, quality is of most importance.
As you can see in the spreadsheet I am in the process of highlighting which albums are physical CDs and which are downloaded bits and bytes. In my rough estimate, just under 1,110 of my collection is in CD format (including box sets). That is a quite a load to haul around the world with me. I am thinking of making a move that scares the shit out of me: junking all of my physical CDs.
I am entertaining this thought for a few reasons:
- The sheer volume of CDs is cumbersome to move (around the world or otherwise)
- The majority of the CDs are on my two Macbooks. One of which is dedicated to just play music wirelessly around my flat.
- Because of #2, I hardly ever go to pull a CD off the racks to play it...I do only if I haven't already ripped it to my laptop
- My taste for vinyl.
Why am I keeping all of these CDs? I don't know, really. Part of it is that it is tangible. I love seeing this tower of CDs everyday. A lot of work and play (and $$$) went into amassing this collection. Yes, I am emotionally attached to all of that polycarbonate plastic.
Conversely, I LOVE sifting through my vinyl collection and physically playing and flipping records...which is not easier nor is it more convenient. This of course, is because the sound and the experience from vinyl is worth the effort. The CD experience in comparison is shit. Having to get up and move across the floor to flip the record is exciting...I am actively participating in the music. Yes, I am now emotionally attached to all of that beautiful black lacquer.
So, what is poor music fan to do, 'cept to play some ol' rock and roll bands...899.html">heh heh.
Here is what I am thinking about doing if I decide to do anything at all:
- Rip my entire physical CD collection to hard drives. I would put as much on my Macbooks as I can and the rest, in its combined CD and download glory, would be stored on external drives. I would back it up to as many as necessary until I feel secure. I could keep two on hand, get a safe deposit book for one and send one to my parents in New Hampshire for extra safe keeping. And If all fails, I can bury one under a rock in Buxton, Maine for Red to dig up when he gets out of prison.
- I would then take all of the CD inserts/liner notes from each case and store them in a photo-album or something similar. This way I can have the info if I ever need it (this sounds like madness, doesn't it...).
- I could hook up my external drive to the computer and play everything and anything through my wireless network set up throughout my flat. This is also very convenient for mobile-music
- I would find some young, deserving music fans and donate my CD collection to them. I would divvy it up into assorted chunks so that the recipients would get a good mix of blues, soul, country, etc. If I do this, I might have to forgo keeping the CD inserts.
This would leave me with all digital files, vinyl and box sets (I would keep those in physical form). I think...think...I could live with that. But how would I buy music?
Let's use the last Bob Dylan album, "Together Through Life", as a test case. I bought that on vinyl and it came with a CD of the tunes sans CD packaging fanfare. This is best of both worlds: my preferred vinyl in 180 gram goodness and a CD to rip to my digital collection...and I get to give the CD to a deserving music fan/friend. If the album had come with a code for download that would have been just as good.
Anyhow, this is where I am at with my collection. I am not in a hurry to decide. All I know is that my collection will only grow. While I LOVE the thought that it will get out of hand, it could get physically unmanageable as I move from place to place.
Are any of you in the same situation? What are your thoughts? How have you/would you act on this...if at all? How do you buy your music? What are the holes in my potential plan?
Tune Tags
I chose "Sparks" by The Who as the tune tag for this post. This was the song playing in the movie Almost Famous when a young William Miller was flipping through the vinyl collection left to him (...to liberate him!) by his sister.
- Posted from Kensington, United Kingdom
"So Russell... what do you love about music?" Share Your Almost Famous "Everything" Moments
William Miller: "So Russell...what do you love about music?"
Russell Hammond: "To begin with...everything".
Exactly! This is the last bit of dialogue we hear before the end of the movie, "Almost Famous". It is the scene where William finally gets his interview with Russell. It is a moment that induces head nods and knowing grins from all serious music fans. I (we) know exactly what Russell means. Everything means, well, everything.
It is not any thing about the music; it is everything about the music: the songs, the vocal and musical nuances, the inspiration for the song, the actual recording of it, where they recorded, the band, the guest musicians, the album cover, the naysayers, the promoters, the stories and all of the tall tales associated with the music...everything.
Here is a bit of "everything":
On Bob Dylan's 2001 release, "Love and Theft", drummer David Kemper tells a revealing tale about the "training" Bob put them through initially. Rehearsals for the new album started nearly a year before recording it. Kemper said that one time, for a period of three days straight, Dylan had the band play only Dean Martin songs(?!). Dylan would have them do this with many other early legendary and unheralded American recording artists. The band would rehearse these songs over and over and then never play them again once Dylan had heard what he wanted to hear.
A year later when they began the recording process, Dylan would introduce a new song such as, "Summer Days". He would instruct the band to play it in the style of Dean Martin or one of the other artists they had practiced. Dylan had been training the band (a year in advance!) for the sound he wanted the album to have. Kemper said it was like going to the "School of Americana, as taught by Bob". That gives me a whole new perspective on the album each time I put it on. You can't go back and have a listen and not think about this.
Everything does not have to be a legendary tall tale either. There is a scene in the director's cut of "Almost Famous" where Russell give us a hint at what he means by everything. Right before Stillwater plays their first gig, Russell is talking to William about the significance of the "littlest details in songs". Russell said that these little details are the ones that people "remember the most". Russell uses the "first whooo" in Marvin Gaye's, "What's Happening Brother" as an example (I included that in the Tune Tags playlist below. The "whooo" shows up at 2:15...and the first one is the memorable one).
Russell (Cameron) is right. These are the unplanned, down to the bone, in the groove moments that can make bad songs good and great songs legendary. They are real moments of inspiration and emotion that collide and combust from within the musicians...because they are feeling it. That is what makes the songs special. That is why we like these little moments.
You must have a few of these yourselves. I know I do. In the spirit of Russell's "everything" and "littlest details", I am offering up ten songs that strike sparks for me. I have included a bit of twitter'esque detail on each "little moment". Feel free suggest some of your favourites and I will add them to the playlist for others to put their ears to.
- Neil Young - "Cinnamon Girl": Here is another "whooo" for you and it happens at 2:09. The "whooo" coincides with this guitar solo that launchs out of the heavy-duty muck n' mire rhythm that Crazy Horse is laying down.
- Derek and the Dominoes - "Little Wing": Clapton and Duane Allman trading licks on a Jimi Hendrix song. I'd shout out "whooo" too if I was Clapton (1:55)
- The band (w/The Staple Singers) - "The Weight": This is from The Last Waltz and it is all about Mavis Staples. There are two bits in here that make this a bow-down track for me. This is such a "breath-y" performance. You get the feeling she is stirring something up inside and getting ready for the pay-off (an example at 1:03). That pay-off comes at 1:26. It is a this from the gut "unh-huh" that brings me to my knees each time I hear it.
- Rod Stewart - "Every Picture Tells a Story": I love this song. It always make me feel like traveling...on a whim. I think it is Rod's best penned song (with help from Ronnie Wood). At 2:35, Rod lets off a rather rowdy Whooo! (another "whooo"!). It might have something to do with Kenny Jones thundering away, Ronnie starting in with this galloping acoustic and the female back singer firing off an inspired backing vocal. Whoo indeed. (by the way, this one is on the Almost Famous soundtrack)
- The Rolling Stones - "Prodigal Son": A two for one! One of my "little moment" here comes at the end...but the entire song is needed to make it happen. Keef is strumming the hell out of his acoustic. You think he was enjoying himself? If the abrupt and ramshackle "heeyaay" is any indication...yes. The other one is a Mick moment. At 1:55, Mick drawls off a "mercy" that almost makes you feel like he means it.
- Tom Petty & The Heartbreakers - "Shadow of a Doubt": Another two for one. At 2:03, Tom puts this inflection on the end of "kid" that starts to rev me up...and himself, too. The tension starts there and builds up until Tom shouts out "aaaaiy" at 2:42. The song doesn't slow down from there.
- Drive-By Truckers - "Sink Hole": One of my favourite "new" bands. The Truckers tell a good story and this one by Patterson Hood is no exception. There is passion here, because it is most likely a true story. The song moves like a stock car driver frantically trying to come up from the back of the pack. By the time Patterson gets to 3:12 and delivers that "eeeoouuuaaagh" you know he damn well means it.
- The Animals - "The Story of Bo Diddley": Eric Burden spends five minutes and fifteen seconds telling us Bo's story. By 5:16 he has worked himself into a tizzy and squelches off a "eeehaaaaayy Bo Diddley" that came from the soles of his feet. This is a long song, but I always find the payoff worth it.
- Warren Zevon - "The French Inhaler": What a GENIUS song. The lyrics are truly a gift to the listener. Apparently this was about his wife (word is she was "ending up with someone different every night"). At 3:28, Zevon makes a kissing sound into the mic (the great kiss-off, perhaps). I have listened to numerous other studio takes of this track and have not heard that anywhere else. My guess is that this was a timely improve...and it works.
- The Rolling Stones - "Casino Boogie": Ah, Keith. The master of the perfect anti-harmony vocal. On "Exile on Main St." he was in rare vocal form. There are so many Keef moments on this album that it is hard to choose. This one always makes me smile: check out Keef's squealing of "understaaaand" at 00:46.
OK, your turn. I'll add them to the playlist...
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*Disclaimer:
I am a bonafide nut over Almost Famous. I love the story and the romantic notions of a life as an outsider on the inside of this cool scene that was/is Rock and Roll. Cameron Crowe did a brilliant job recreating the times and telling his own story. Here is a funny story of my own:
Circa 2003 I was living in Fort Lauderdale, Florida. My wife had gone to the Florida Keys with some girlfriends for the weekend. I came home on Saturday after a night of drinking and carousing with my buddies. I decided I was going to watch Almost Famous in its entirety...which I surprisingly did considering my state of being at the time.
About three weeks after this night I got a package in the mail...from Cameron Crowe?! Well, it wasn't Cameron himself, but someone on his behalf. This is where things get fuzzy. Apparently, after I finished watching the movie, I went on Crowe's website. At the time they were selling screenplays from the movie with a handwritten, personally addressed note from Cameron...complete with coffee stain on the cover. I bought one. I didn't even remember that I did it. But, there it was, at my doorstep. It was nicely bound and was printed on heavy stock paper...complete with the note from Cameron.
Wow. My wife was just shaking her head and laughing at me. I think it cost thirty or forty bucks. The funny thing is, I probably would have bought it sober. I still have it, but it is on the open sea on the way over from Sydney, Australia along with the rest of our belongings. When it gets here, I will post a picture of it and the handwritten note.
I found a free copy online and have attached it here for reading or downloading.
Tune Tags
The Goods
- Cameron Crowe's website
- Almost Famous Wikipedia Page (lots of great insights and factoids here)
- Almost Famous IMBD page
- Check out Bill Simmons', The ESPN Sports Guy, use of Almost Famous in one of his recent columns about the offseason for the NBA (well worth the read just for the AF reference alone)
- Podcast that talks about the recording of "Love & Theft"
- "Untitled": director's but/bootleg of Almost Famous (this is suberb...better than the original theatre cut)
