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The Klieg Light Club: When great artists go from "true to form" to "true to formula"
Recently I posted about keeping it simple in 2010. Let's chalk this one up as a sequel to that post. This time it's about keeping it real in 2010.
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Have you seen the movie Precious?
Yes? [collective exhaling, wide-eyed looks and shaking of the heads]
No? Well then, you must see this movie. It is a harrowing story about the human will and the extreme, extremely extreme, challenges it can endure. The movie has been much talked about in the media and on blogs. In a flick filled with shocking moments, one of the most shocking is the performance of Mariah Carey.
Everyone knows who Mariah Carey is, right? Yes, of course we do. She is known as a self-indulgent, high-maintenance, look-at-me, glamour-puss. In Precious she played a run-of-the-mill social worker. For the role, Carey stripped off her Diva persona and played the ugly duckling. In her own words:
"I had to lose all vanity," Carey said. "I had to change my demeanor, my inside, layers of who I am, to become that woman."
Oh my, Mariah. Oh, my. Where to start...? Let's start with the "layers of who I am" part of that statement. How crazy is this shit? She really believes she has these "layers". Is this a bad case of the stardom flu or is she serious. My guess is that she thinks she is serious. My guess is that she thinks that people don't understand that she is a real person underneath it all. My guess is that she thinks that moonbeams and winged unicorns shoot from her ass every-time she farts.
The ironic thing here is that Mariah thinks that she is acting in this movie when, in actuality, it may be her most real performance yet. As I sat in the theatre watching this, I thought to myself, "damn, she seems normal...why doesn't she come off this way all the time"? Forget the no make-up haggard appearance, it was her likability that got me. Why does she chose (yes, choose) to come off so damn self-important and narcissistic in the press?
She is caught in the crossfire of the klieg lights. She was a earnest singer with pipes that dominated the charts. Now she is a indulgent Diva with performances that overwhelm the gossip rags. Just like so many artists, be they actors or musicians, Mariah lost her essence.
How many others has this happened to? Countless. Here is one that comes to mind:
Rod Stewart: Wow. Rod used to be a rocker. He had swagger. He had rough edges. He had the last laugh. Now he is a laughingstock. Has there ever been a career that has experienced such a downward spiral. Seriously. He started out with Long John Baldry, fronted the Jeff Beck Group (brilliantly), led the almighty Faces, absolutely nailed five out of his first six solo albums (Smiler being the lone dud), and then... what the fuck happened? He became a star, that's what happened. Klieg lights...everywhere.
After "A Night on the Town" he started to fall apart. All of his rough edges became polished and glossy and he fell into the glits and glam of the '70's slipstream. He went pop chart and disco with "Footloose & Fancy Free" and "Blondes Have More Fun". He became fodder for urban legends involving blow-jobs and stomach pumping. He limped into the '80's with infrequent blips on the charts with songs hearkening back to days of yore. He rekindled old flames with live albums of old hits. And now...now he sells albums of covers songs to baby boomers, who, like Rod, think that almost is good enough. Yuck.
The Good (the very good)
The Bad
The Ugly
I feel dirty after that last video. I need to go play "Gasoline Alley" front to back right now to restore my faith in the gravel-throated goodness that once was Rod Stewart.
Who else belongs in the Klieg Lights Club?
- Elton John (the earliest stuff was so damn earnest)
- Robbie Robertson (stop with the Indian albums and the movie producing and put out the classic you know you have in you..please!)
- Stephen Stills (so much talent + so much meandering = coulda, shoulda, woulda)
- Mick Jagger (solo stuff specifically)
- Aerosmith (Dude looks like a train-wreck...)
- Gregg Allman (he lost his way when he lost Duane...Allman and Woman? Check out that link...WTF is that album cover all about!?! Come on?! That never would have happened it Duane was still alive).
On the flip-side, there are those who have stayed true to the course. A sampling of the many that are in the Real Deal club:
- John Fogerty
- Tom Petty
- Levon Helm
- Bruce Springsteen
- Tom Waits
- Roger McGuinn
- Keith Richards (solo albums and guest-star appearances seal the deal)
- Neil Young (They King of Them All Y'All...in fact, he may deserve his own club)
What do you think about those lists. Agree? You have any additions to either one?
It's not what you play, it's how you play it: live music puts a tiger in my tank
"Music has always been a matter of Energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel. I have always needed Fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio."
That is a quote by one of my heroes: Hunter S. Thompson. Hunter...I miss your honesty, your true grit and your wisdom. Oh, your wisdom; the wisdom found in this statement prances and preens like one of your precious proud peacocks. I can't agree more with what Hunter is saying here: Music = Fuel.
I want to take that one step further. If music is indeed fuel, then live music is super-unleaded; high-test; moonshine.
I've been heavily into the live portion of my collection as of late. Great live albums/songs are touchstones to me. If I need a pick me up, if I need to be jolted or if I just need a cheap thrill...I can always turn to some fave live music.
Case in point...I am trolling the back catalog lately in anticipation for three purchases that will happen in the next two weeks: all of them live.
I love this time of the year. Record labels are putting out lush box sets hoping to hook holiday gift buyers and solo splurgers. I am a
record company's chum; sharks sniff me out and attack and rip me...and my wallet...to shreds. Bring it on. These sets tend to be grandiose with a price tag to match. It is not that I have money to burn...if I did I would be an arsonist...but I know what I like and what I gots-ta have.
The three sets I am pacing the floor for are:
The Rolling Stones: Get Yer Ya-Ya's Out [40th Anniversary Deluxe Version]. This is the proud black panther crawlin' up and down my hall. As far as live music goes, this may be the best show of 'em all: a flat-out, hands-down, sure-bet live masterpiece. This set has the whole kit and caboodle: Three LPs, three CDs, one DVD, books, posters and a lock of Mick's pubic hair. Go HERE to check out this magnificent booty.
This album may contain my fave live tune EVER: "Little Queenie". This song has it all: Mick teases the home crowd with a shout out ("You talk a lot New York City...."), it is a cover tune and it takes that cover tune and turns it into a stone cold monster...a raunchy, only when the moon is full, full-tilt, evil-twin version. It also has multiple guitar solos in it. "Little Queenie" sets the standard for what live rock and roll can be. All this and it has Keef Richards playing some of the his best riffs ever. Dirty.
Tom Petty & The Heartbreakers: quot; target="_blank">The Live Anthology. Four CDs of live TP & The HBs from way back to right now. Everything I hear about this positions it as bow-down material. I think I have to go BluRay version for this.
Tom Waits: Glitter and Doom - Live. I'm going for vinyl on this one. When ever I get done with a Tom Waits listening session I am unsure whether or not red means stop and green means go. Tom Waits swims against the current.
Live music...it is going to be my fuel for the holidays. I want to share a few fave live tunes with you. There is NO WAY I could begin to put together a list of ALL of my faves...not possible. What I have for you here are ten front-burner faves that I always can turn to when my gage reads "E".
Normally I like to embed a playlist here in this post; I couldn't find all the songs I wanted to share. Instead, I am gifting them to you in a download. Tis the season, eh? Here is what you will find in the playlist, including a bit of twitter'esque commentary on each:
- Everyday I have the Blues (BB King - "Live at the Regal"): this is the first song on the album. The crowd is in BBs hand before Lucille's second solo rings out.
- Live Wire (AC/DC - "Bonfire"): This takes place in a radio studio with a small live crowd. How do they strike sparks this fast?! Combustible music.
- Mean Woman Blues (Jerry Lee Lewis - "Live at the Star Club, Hamburg Germany"): Pure, unadulterated raw power. The Killer is on fucking fire here.
- Walk It Talk It (Lou Reed - "American Poet"): Again this one is recorded live in a radio studio. Lou Reed is a rock and roller on this one...it has a definite Chuck Berry sound.
- Cowgirl in the Sand (Neil Young - "Live at the Fillmore"): Neil covers the spectrum of his guitar playing abilities on this: intense. Listen to Jack Nitschze's haunting piano: creepy.
- Little Queenie (Rolling Stones - "Ya-Ya's"): Like I said, this is unmatched R&R.
- Don't Think Twice Its Alright (Eric Clapton - "Bob Dylan 30th Anniversary Special"): "Bobfest", as dubbed by Neil. This might be Clapton's last great performance. The second guitar solo makes your head shake involuntarily. Whew. And...its a cover song.
- Emotionally Yours (The O'Jays - "Bob Dylan 30th Anniversary Special"): Wow...this song has that rising power that takes you soaring with it. Emotional, indeed...
- Caravan (Van Morrison - "Last Waltz") - Another qualifier of live greatness: the all-star jam. Van takes this one over the top with a handful of crescendos...and with a crazy purple spandex outfit [yikes!]
- You Don't Know Like I Know: (Sam & Dave - "The Complete Stax Singles, Disk 4"): Arguably two of the greatest live performers ever. Listen to the fun and excitement in this one. You can't help but move to it.
Download the "Live Moonshine" playlist HERE.
