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Posts tagged ‘vintage’

Rock & Roll Booty Call: ‘Dem ol’ Pirates, Keith & Mick, dig up buried treasure for the Exile on Main St. Reissue

Buried treasure usually stays buried for a reason. Someone, a pirate perhaps, buries the treasure so no one can get at it. A massive half-way to China hole is excavated in the Earth-crust.  This hole is most often dug deep in a deep woods, or in the middle of an expansive wide open field void of markers. Intricate maps are created on parchment or in glyphs or codes to confuse poachers and crooks and jackpot seekers.

Treasures are usually buried for a reason. In a basement in the south of France, in a mystical castle called Villa Nellcote, a cache of treasure lay buried for nearly forty-years. This treasure is not the booty that you would expect.  Once opened one finds a chest not full of rubies, gems and gold bouillons; rather it is filled with relics covered in grime and sweat, funk and mould, a little bit of country and a whole lotta rock and roll.

The treasure in question belongs to those old rock and roll pirates (“Ladies and Gentlemen…”) The Rolling Stones. The graybeards of rock and roll are releasing their masterwork, Exile on Main St. and giving it the whiz-bang, full-assed, super-deluxe treatment. The question myself and many others punters with a keyboard across the interworld are asking is, “should we have dug up these old bones?”

Well of course the answer is yes. If you are a natural born Stones freak, you want access to this music (treasure). You want to hear the legendary, long-lost tracks (“Aladdin’s Story”) or hear the early versions of classic riff-monsters (“Good Time Women” cum “Tumblin’ Dice”).  You want to hear the nuances in a Keef lick; can you trace back his sound today to way back then; has it matured?; does it still have its youthful kick?; is it knowing or is it naïve?; does he still kick ass? (Fuck yes)

I want to eat these tunes alive…feel a little blood spurt out when I bite in. I can’t get enough.  But, there is a bit of a bad taste in my mouth. As reported and confirmed, some of these old ‘70’s tunes have been given the sonic twenty-ten brush-up. Despite Keef’s claims of “not screwing up the bible” and “not painting a smile on the goddamned Mona Lisa”…there is another mule kicking in this stall.

There are ten tracks that were unburied to celebrate this rerelease. The fun (or forced) part of listening to them is to play, Spot the New Mick Vocal Track. Fuck me. Why? Why did they have to do this?  The magic and the mystery of ‘Exile’ was represented in those dirty and desperate times. The debauched displacement that was their predicament was embedded in the grooves of this double-disc, dirge and surge, mishmash masterpiece.

Let it Breathe. You don’t uncork a 40 year old scotch whiskey and try to add fresh barley. Let it Breathe, Mick…no matter how foul the smell.

Oh, Mick. You ego-fucking-tistical bastard, you. You never did like the mix of your vox on the first go ‘round. The word was that you were lost in the sound, no one could understand the lyrics and you there you were standing in the shadows, baby.  No one had a problem with it…well, except for you. If you ever did have dirt underneath your fingernails, you cleaned your claws before anyone could see you’d been digging in the yard. They say that cleanliness is next to Godliness; mate, you shouldn’t aim so high.

Your very own soul brother, ol’ Mr. Rock & Roll himself, always had dirt under his nails…and made no attempt to clean up for the cameras. The Riff Sorcerer knew then and knows now not to mess with Mother Nature; Exile on Main St. is an organic thing of beauty, not an act of god.

Ok, there is still some soil on these songs. Not all of it has a glossy new coat of paint. All up, I haven’t heard each of them in their new release form (I have most all on bootlegs).  The ones I have heard still have me tapping toes and flapping a chicken-wing  even though they have some 2010 on them. For instance, take the single, “Plundered My Soul”.

New Mick vox on this. All of his phrasing, nuances and ticks sound like something off of  “The Biggest Voodoo Steel Bridge”.  Fine. As much as I would have liked the old vox track, I have to say, I think this is one of the best vocal performances Mick has delivered in the last twenty-years.  I do. Why?  If he didn’t…his past would have caught up with him.

The music track on “Plundered” still has the good grease on it.  The sloggy, soggy, riffy-rhythm churns and chugs along in the background. It pulls the cart loaded up with horns and drums and bass behind it at a steady pace. What really makes this track work and makes the New Mick vox work is the original Old Dirty Bastard: Keef Riffhard.

In that sweet spot Stones recording period, “Let It Bleed” through “Exile”, Keith was in his finest vocal form. Now, that may not say a lot considering his cracked croak, but when it comes to singing the harmonies, Keef has no peers. Actually, I like to call it the anti-harmony. It is so fucking wrong that it makes things right.

He did it on the entire of side one of “Exile”.  Back then he shadowed Mick and challenged him for alpha-dog on the vocal track. Not on “Plundered”, though. With Mick and Don Was (please, enough with Was) at the buttons and knobs, Mick sits high on top of the Keith anit-harmony. Ugh.

That’s OK…we know better.  While the moms and dads and the know-nothings dote on Sir Mick, there is Keith: down by the boiler and shoveling coals into the engine…The Soot Master…Anti-…Dirty.

Keith is nitty, gritty and glorious and he is the owner of the soul and the guts of the legacy of rock and roll.  As addled as people think he is, he is lucid and he is chock full of authenticity and integrity (just what these “Exile” outtakes should have been).  He is The Man. Game over.

Something old, something new…it’s still the Stones. What all this tells me is that when Mick is spurred on by the good stuff, he delivers.  Keith is rusty (he said so himself).  Once Keith starts tinkering again, maybe he will reach back for some Nellcote magic and conjure some of that Exile sound. When the Glimmers are on, they deliver. I think the Stones have one more legend-work left in them. I hope all this digging around for their lost, buried treasures sets them on course for new worlds to conquer and crowds to please.

Good pirates always leave at least one last booty grab and land to plunder.

Flipping Vinyl: A Lunch Hour Look in to London’s Vintage Vinyl Bins

Lunch breaks aren’t just for eating…unless you use them to gobble up the best of London’s vintage vinyl.

I have recently discovered that there are almost one dozen vintage vinyl shops near my office in London. I work off of Oxford Street, near Soho. I went for a stroll the other day and realised that I was smack dab in the middle of my London Record Shop Search map (find it here)!

This is dangerous for many reasons. In the next few months I see three things happening as a result of my lunch break discovery…I will get skinnier, my wallet will get lighter and my vinyl collection will get much fatter. The other problem I see is that I will have to come up with excuses as to why my lunch hour has turned into a lunch hours.

Damn the problems!  I have mass vinyl at my fingertips! 

I am going to use this post as a photo album for my lunchtime vinyl hunt exploits. The album will keep updating as I send pics frm my iphone (via the PicPosterous app).  I’ll update the comments so that you can see when new vinyl haunts have been properly hunted.

To kick things off, let me tell you a bit about what I saw today:

The first shop I stopped in was”On the Beat“.  This shop has been alive and owned by the same guy for 31+ years!  He not only had the coolest old vinyl, but he was playing great tunes…RL Burnside was blaring out from the shop into the streets when I approached the shop. He had all kinds of old Melody Maker, Creem, Rolling Stone original copies hanging on the wall; tons of artifacts and souvenirs, framed, autographed pictures; many racks of obscure, bootleg and special release vinyl.  

I need more time in this shop. Too much to take in just thirty minutes. I found a gem here though: an original pressing of Bob Dylan & The Band’s, “Basement Tapes”.  There’ll be good rocking  at my place tonight for sure.

The second shop I stopped in was “JB’s Records“.  JB’s was a bit smaller, certainly did not lack in volume of cool vinyl.  The shop itself has been there for almost 30 years; the current owner has had it for the last ten.

Here I picked up two classics from two fave acts:

  • Booker  T. & The MGs: “Green Onions”
  • Keith Richards: “Talk is Cheap” (first solo album)

Stay tuned for more vinyl bin flipping fun…

Neil Young says “Time Fades Away”. Good thing vintage record shops haven’t…

You always remember your first. 

This past week I made my first visit to one of the record shops on my London Record Shop Search Map.  My wife and I were in Notting Hill to look for places to live.  I planned ahead, knowing that Rough Trade Records had one of their outposts there, and brought along the gift certificates my good Aussie mate, Kip gave to me

We were on a tight schedule of appointments to see local flats.  Knowing this, I had to be quick with my first look at what could be my new music buying/hang-out home away from Mojo Music in Sydney. When I check out a record shop with as much cred as Rough Trade, I want to be able to take my sweet-assed time and look through all the racks and other goodies strewn about.  It may have been my first time, but I sure as hell know to do it right and make it last.

Alas, this visit would have to be a better-than-nothing quickie.  

I got to the door of the shop and took a deep breath and thought of my buddies at Mojo. I had to make sure I brainwashed myself into forgetting about them and The Feel of that shop.  Mojo is a rough diamond; an imperfect gem that you can’t put a value on.  It wouldn’t be fair to grade Rough Trade by my Mojo standards.

That being said, it was no Mojo. What is it then?  It is chock full of vintage vinyl.  Downstairs is full all kinds of oldies and goodies.  I bypassed sinking my teeth into the upstairs area with all of it’s CDs, eye candy and memorabilia.  I had to act quick and I wanted vintage.

I started flipping through the bins and all of the sections: surf, blues, classic soul, Stax & Motown specific, US & UK versions of Stones albums, Dylan, Country and Good Ol’ Neil Young. 

When in doubt, go to Neil.

And there it was…an album worthy of my first purchase in a London record shop: “Time Fades Away” by Good Ol’ Neil Young. This album was released in 1973…on vinyl…and has never been put out on CD or up for download by Neil.  Neil fan(atics) have long hollered for its release.  In fact, the supreme Neil site, Thrasher’s Wheat, has collected over 114,000 signatures in their online petition to have it released (yeah, I’ve signed on). 

I picked up a copy for 25 quid. It is a UK pressing on Reprise. It is in mint condition, complete with inside poster/fold out of all lyrics and listings.

This album is soaked in mystique and lore. It is part of the “Ditch Trilogy“.  Cameron Crowe replicated the album cover in a scene in his movie, “Almost Famous” (of which I am in awe of, jealous of and a huge fan of). In the flick, at the first Stillwater show, there is a rose lying on the stage and a man in front of the stage raising his arm, thus recreating the cover of Time Fades Away.

What Neil has said about it:
“It was recorded on my biggest tour ever, 65 shows in 90 days. Money hassles among everyone concerned ruined this tour and record for me but i released it anyway so you folks could see what could happen if you lose it for a while.”

What Rolling Stone wrote about it in it’s 1974 review:
If Young appears foolish and arrogant at various points on the album, he seems to be allowing us a glimpse of these flaws, rather than letting them slip through and spoil his big moments without his consent, as happened on Harvest. Time Fades Away is an idiosyncrasy from one of rock’s most idiosyncratic artists. If it isn’t a resounding success, the album is still a revealing self-portrait by an always fascinating man.

What allmusic has to say in their review:
Few rockers have been as willing as Young to lay themselves bare before their audience, and Time Fades Away ranks with the bravest and most painfully honest albums of his career — like the tequila Young was drinking on that tour, it isn’t for everyone, but you may be surprised by its powerful effects.
_____

All in all, it was a satisfying visit to Rough Trade.  I bought a fave, hard to find piece of vinyl.  I used my good friend Kip’s gift certificates in a way that would make him proud (Kip is a music-aficionado-wizard with righteous taste). And, I found some good ‘uns to back and explore when I have ample time.  A more in-depth report to follow.  

On a side note.  My wife has the Fear in her now.  She knows the cat is very much out of the bag on this one…

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