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Posts tagged ‘vinyl’

The best of the fringe and all of the backbone – Mojo Music, Sydney Australia

Mojo Music in Sydney Australia – The Kings of the Back Catalog.

They gots the best of the fringe and all of the backbone…

If you followed me at all on The 6149, you know that one my fave rave places, where some of my fave rave people in the world inhabit, is Mojo Music – located in Sydney, Australia.

Mojo is a real-deal, salt of the earth, bow-down good ol’ fashion record shop. The owner, shopkeep and resident maestro of the Mojo vibe is Nev … but, I call him the Kingfish.

I was recently contacted by a reporter from one of Australia’s top newspapers, The Sydney Morning Herald, and was asked to give my thoughts on Mojo as to why I think it was so special. This reporter did a bit of a search online and had seen my many blog posts on Mojo.

Here is what I wrote:

It is usually around 4:30pm on a Friday that I start to get the fever; I start to get the Mojo itch. It has been just over two years since I moved from Sydney to London, UK. Even now, try as I may, I still can’t scratch the itch that was my regular, four year long Friday night visit to Sydney’s Mojo Music.

I am from New Hampshire, USA. I moved to Sydney in 2005 and lived there for five years. I am a passionate music fan.  I love listening to, talking about and sharing my music. It wasn’t until the end of my first year in Sydney that I found Mojo. I remember walking into the shop for the first time; I had found my home away from home; these were my people; they listened to the same sounds; they told the same stories; they fanned the same flame. This was a place where my music became our music.

On first sight, to virgin eyes, Mojo would look like what it seems to be: a relic record shop still hanging on to the notion that people want to buy their music on CD or vinyl, let alone buy it at all. But, to the been-around-the-block, knowing-eye crowd, Mojo is the true music fan’s promise land: a place where people gather to immerse themselves in the music that they love: to listen to it, to share stories about it and to turn others on to it.

“If you ever get lonely, you just go to the record store and visit all your friends…” – Penny Lane, Almost Famous.

For four years my Friday nights started off, and most often ended up, at Mojo. After work I would get home, drop off the car and walk to Mojo. On the way I would pick up a six-pack of Cooper’s Sparking Ale (the unofficial beer of the Mojo Men) and bring it to the shop. I would meet there with regular “Friday Guys” and we would spin tunes, spin yarns and back-slap and tip back beers until after-hours became the wee-wee hours. Mojo wasn’t just my local record shop, it was part of my life.

Mojo exists for one reason: Nev Seargent. Nev is the owner of Mojo. In fact, Mojo is Nev. The look of the shop, the product sold at the shop and the vibe of the shop … it is all Nev.  Nev sets the tone and has established the ethos: Mojo is all about the “real” and the “authentic” and that goes for all the music, the people and the and feel that exists in the shop; there is no pretentious bullshit at Mojo.

Nev is a good mate. I call him “The Kingfish”. I copped that term from a Randy Newman song of the same name. In the song, The Kingfish is a New Orleans mayor, a man of the people, someone that gives the finger to the establishment and puts the needs of the people of first.

Kingfish, Kingfish
Friend of the working man
Kingfish, Kingfish
Who’s gonna save this land
It’s the Kingfish, baby, that’s who…

That is what Nev is doing. He is doing his part to keep the music shop alive and well … saving this land. When the music industry tells you that big box music stores are dying, that streaming music is the new buying music and that people just aren’t that invested in music anymore … Nev says, “oh yeah, there are still some of us left and I’m going to give ‘em a place to go.”

People go to Mojo, that is for sure. There are Thursday and Friday night regulars, people who make personal pilgrimages and those that wander in having been lured by the music that plays out on to the street.  As Nev likes to say, Mojo Music has the best of the fringe and all of the backbone.  That applies not only to the music they sell, but also the people they serve.

There is always music being played at Mojo. Starting around 5:00pm there is a crowd gathered around the front counter listening to it. People come in to find a lost album or get turned on to what ever it is that Nev has playing on the front-burner. If you are in need of a recommendation … Nev knows just what you need. Many times I have said to Nev, “I’m looking for this kind of sound and feel … you got anything for me?” Inevitably, The Kingfish always knew just what I wanted. He would walk over to one the CD racks … straight to a specific spot … pull out a CD and say, “You got this one? You know of this cat? You need this.” His picks were always spot on.

I purchased a lot of Nev’s picks over the year; my music collection was better off for it.  There was a definite correlation between time spent at Mojo and cash spent at Mojo.   Buying my music at Mojo was always a pleasure. Not only did I add great music music to my collection, I was also giving back to Nev and the shop. Nev has created something special and everyone that goes there knows this. We all give back by supporting the cause. Once Mojo gets under your skin, you just can’t ignore it.

Under your skin … there’s that itch again.  Two years on and I’m still trying to scratch it. Currently I work in London. My office is riight next to Soho. Soho has a handful of great used vinyl shops. On Fridays after work I take the long way home, wandering in and out of the shops to see if I can find any buried treasure.  I usually find a few records that I take home to play, but what I can’t find is that Mojo feel; no one calls out my name when I walk in these shops; there are no friends there waiting to play me the latest re-release or or newly found used original Chess Records pressing on vinyl; there are no cold beers waiting for me in the fridge; there is no back-slapping and story-telling; there is no walking out the door with Nev at midnight and shutting the lights and closing the door behind us. There is only one Mojo and it is in Sydney, Australia. The “lucky country” indeed.

Mojo is a one-off; a mutation; an anommoly.  It is a place that still cares about the shared experience of listening to music. Not the kind of pseudo sharing that is done on the web. We’re talking real-deal, face-to-face, ear-to-ear, flip the record over sharing.  You go there for the music and you walk out part of a community of music loving Mojo Men. Someone has to keep that feeling alive, right? Some one has to continue to fan those flames. Someone … but, who?

The Kingfish, baby, that’s who.

39 and Feelin’ Fine

Me, Bob, Aretha, Johnny and a killer jukebox (it uses real-live vinyl 45s!) in a teeny-tiny Spanish bar in London’s Soho.

The juke is playing “Boy Named Sue” (my choice) – it just skipped. Perfect.

39 and counting …

Keith Richard’s Record Collection: a real deal rock & roll time capsule of riffs, rhythms, beats, blues, howls & harmonies

Music fans. Music fans are special breeds. There is the music, and the worship and the desert island albums, and the concerts and the extra-mile. Yeah, there’s all of that…and then there are the people that do the kind of shit that only true music fans…music freaks…do. I’ve done my fair share of music freak stuff (ahem, “Exhibit A”: this blog) and apparently, this guy is no stranger to the freak-show.
 
On the inside cover of Keef Riffhard’s autobio is a picture of a section of Keef’s own record collection. This image locked me into it’s tractor beam at first glance. I stared at it for a solid thirty minutes flipping through Keef’s vinyl in my mind. If you look close at the picture, you may still see the drool stains.
 

Keefs_1

 
My fellow faceless music freak pal took the time to list out all of the albums for all of us lazy bastards and bitches. Firstly, thank you random stranger and Keef fan. Secondly, I am disappointed that I didn’t get to it first. Nonetheless, here it is for all of us to tick off against the ones in our own collection (I bolded the ones I share in my own stash).
 
Now, I may not have a lot of these particular records, but I do have something from everyone on the list. Hey, I don’t need to match Keef album for album, do i? I don’t, right? I mean, it is ok if I don’t have the same albums in my collection that Keef does…right? RIGHT?!
 
Damn you! Damn you music freak blood coursing through my veins! Damn you obsessive compulsive like urge to go out and buy these albums…on vinyl!. Daaaammmnn yooouuu!
 
Damn straight.
 
I have a new mission now: Get Keef’s record collection. What about you? How many of these are filed away in your milk crates? All of the usual suspects (“Main Offenders“) are present here: a real deal rock and roll time capsule of riffs, rhythms, beats, blues, howls, harmonies, ballads, barn-burners and balls-to-the-wall rock and roll rippers. 

  1. Little Milton : His Greatest Sides
  2. Bob Dylan : Highway 61 Revisited
  3. History of Rhythm & Blues Vol 4
  4. History of Rhythm & Blues Vol 2
  5. Dale Hawkins – Suzie Q – The Best of Dale Hawkins
  6. The Blues Vol 1
  7. Woody Guthrie
  8. Blind Sonny Terry & Woody Guthrie with Alec Stewart
  9. Booker T & The MGs – McLemore Avenue
  10. Aretha Franklin – Aretha’s Gold
  11. The Original Five Blind Boys of Alabama
  12. Billie Holiday – 1942-1951
  13. Elvis Presley – Elvis’ Golden Records
  14. Elvis Presley – For LP Fans Only
  15. Big Bill Broonzy – Midnight Steppers
  16. Aaron Neville – Make Me Strong
  17. Bobby Bland – Call On Me/That’s The Way Love Is
  18. Club Reggae Vol 2
  19. Marvin Gaye – The Hits of Marvin Gaye
  20. James Brown – At The Apollo
  21. Fats Domino – Million Sellers By Fats Domino Vol 1
  22. Fats Domino – Boogie Woogie Baby
  23. Ray Charles – The Right Time
  24. The Temptations – Power
  25. Eddie Cochran
  26. Slim Harpo
  27. Otis Redding – Otis Blue
  28. John Lee Hooker – That’s Where It’s At
  29. The Golden Gate Quartet
  30. Tilbouke Reid – Golden Hits
  31. Mick Jagger – Performance
  32. Jazz At Massey Hall
  33. Hank Williams – Memorial Album
  34. Chuck Berry – More Chuck Berry
  35. Chuck Berry – St Louis
  36. Bo Diddley – Hey Bo Diddley
  37. Rolling Stones – Let It Bleed
  38. Buddy Holly – That’ll Be The Day
  39. The Flying Burrito Brothers – Last Of The Red Hot Burritos
  40. Everly Brothers – A Date With The Every Brothers
  41. Everly Brothers – The Fabulous Style of the Every Brothers
  42. Johnny Cash – The Fabulous Johnny Cash
  43. Robert Johnson – King of the Delta Blues Singers
  44. Elmore James – Anthology of the Blues
  45. John Lee Hooker – Blues Power No 1
  46. John Lee Hooker – The Big Soul of John Lee Hooker
  47. Alexis Korner – I Wonder Who
  48. Alan Lomax – Great American Ballads
  49. Blues Inc – R & B From The Marquee
  50. Little Richard – Little Richard Is Back
  51. Chuck Berry – The Latest and the Greatest
  52. Chuck Berry
  53. The Meters – Cissy Strut
  54. Rolling Stones – Get Yer Ya Yas Out
  55. Chicago Blues Today Vol 3
  56. Chicago Blues Today Vol 2
  57. Chicago Blues Today Vol 1
  58. T Bone Walker – Blues Power No 5
  59. Rolling Stones – Big Hits (High Tide and Green Grass)
  60. Charles Mingus – Oh Yeah
  61. Jump Jamaica Way
  62. Bob Marley & The Wailers – Natty Dread
  63. Professor Longhair – New Orleans Piano
  64. Ike Turner – Rocks The Blues
  65. Howlin’ Wolf – Poor Boy


 
Part of the massive PR push for Keef’s autobio was a complete revamp of his website. One of the coolest bits is the full 65 minute video of Keef’s book reading at the New York Public Library interview (10/29/2010). If you have the time, this is well worth the eyeballs. Anthony DeCurtis does the interviewing. You can download the audio and/or the video at iTunes.  If you don’t want to burn your bandwidth, never fear, one of the world’s biggest Keef disciples is here:
 

http://www.nypl.org/sites/all/modules/nypl_content/jwplayer/player-licensed.swf


 
One of the other cool things Keef’s web-people did was to put a section in showing all of the guest appearances or sessions Keith has been a part of (wow…sessions…can you image the real sessions Keef has been a part of? Nine days awake without sleep is the benchmark. Come on…who has ol’ Keef beat?!).
 
The breadth of artists Keef has worked with is testament to his musical reach as much as it is to those who want to share space, a mic, riffs, a few spliffs, snorts and shots with The Riff Monster. One of my top fave rave Keef collabs is the one he did with Tom Waits. Keef worked with Tom on Waits’s, Bone Machine album. This one is called “That Feel”.
 
I may be a bit disillusioned…or nuts or over the top…but, when I hear this song, I don’t hear a song. What I hear when I listen to this is the nucleus of where a song starts. These may be two of the only people on Earth who actually write the stuff that people read when they read between the lines. “That Feel”, this song…is the stuff between the lines.
 
Here you go (you may have to squint).
 
“That Feel” – Tom Waits w/Keef
 

 
Here are a few choice quotes from Tom on Keef:
 

(1992): ”Keith Richards. He’s real like voodoo about it [song writing]. He circles it. He’s like an animal, smelling it, kicking dirt on it. He’s real ritual about it, real jungle. I had an experience writing with him for several weeks and it was really thrilling. He’s written so many different kinds of songs. You identify him with that really dirty guitar and that gang-like stance, like a killer at a gas station-’Oh man, we better not stop for gas here’-and then you realize he’s a real gypsy. We had some wild times. You can’t drink with him-just forget about it, you’ll be leaving early, he reduces you to something very embarrassing. You’ll be the table- they’ll put drinks on you. He toughens you up.”

(1992): ”He [Keith Richards] writes songs in some ways similar to the way I do–you kind of circle it, and you sneak up on it; it was a real joy to write with him. You can’t drink with him, but you can write with him. I felt like I have known him for a long time, and he’s made out of very strong stock, you know. He’s like pirate stock. He loves those shadows.”

(1992): ”Yeah, right–you can’t help it if you’re around him [Keith Richards ],” he laughs. “You start walking like him, and you know, it’s just impossible. He’s got arms like a fisherman. He’s physically very strong, and he can outlast you. You think you can stay up late? You can’t even come close. He can stay up for a week–on coffee and stories.”

Flipping Bins: Searching Vinyl, Slamming Sushi & Swilling with the Good Ol’ Boys

I’m not a true creature of habit, but when it comes to my work trips to Boston I have a beaten path that I that zombie on down once I’m on the local scene:

The plane I take usually taxis to the terminal gate around 5:30pm. I hop a cab to my hotel which is located smack dab in the middle of Cambridge’s Harvard Square. I check-in, drop off my stuff and then beat feet on my beaten path. By now it usually 7:00 or 7:30′ish.

First up I head to Planet Records. Planet Records is open until 9pm Monday through Thursday. Perfect. I know that I won’t have the opportunity to take my sweet time flipping the bins, but at least I can get the jonze out of my system and scope out the highlights.
Here are my finds. Used vinyl atop a hotel room bedspread…I must now shower in purell. 

I head for two sections: the blues and new arrivals. If there is something there that is giving me the puppy dog eyes, I take it home with me. Otherwise, I case the joint for when I come back later to take a slow troll through the rest of the bins.

As soon as I am done there, I head to the Sushi restaurant. I get my seat at the bar, order up a mountain of sashimi and a serious sampling of sakes and read the liner notes of my new found friends.

When I am done amazing the staff at how much sashimi one man can eat, I go over to a Harvard Square institution, Charlie’s Kitchen. This place is old school, real deal dinner cum beer joint and it has one of the best juke boxes going. They also serve ice cold Pabst Blue Ribbon good ol’ boys (Judd speak for 16 oz. cans). I put back a couple of those while I wait for my songs to play on the box.

By the time I drain the last good ol’ boy, my London body clock strikes 2:00am. I am primed for a night’s sleep and hopefully I will be able to get my body on the EST clock.

This trip I spent less money at Planet Records, but I spent more time shopping vinyl altogether. I also dropped by what might be the last viable music store (if you can call it just that…they sell lots of other schwag, too) in the US, Newbury Comics. I’m usually more of a used vinyl guy, but more and more new releases are offering vinyl versions; I was curious to see what albums were giving off that brand new car smell.

In addition to a nice couple of finds at Planet Records, I found a few good ‘uns at Newbury Comics. Have a gander at and an earful of my booty.

The Numero Group is an indie label out of Chicago that I just recently learned about. I posted on a box set that I bought from them called, “Light – On the South Side“. Here is a song from that compilation…which must be dizzy from all the spins I have given it on the turntable.

Alrene Brown – I’m a Streaker Baby

Arlene, I’m sure you’s damn straight about not having a brick outta place. By they way, you can grind my gears any time you feel like it…so long as “chest like headlights on a pimp’s car” are throwing out high beams.

This label specializes in curating killer compilations of classic one-offs, forgottens and shoulda, woulda, couldas. Each one of the albums and box sets they put together are product of their love of the genres and artist. The music is insanely good, but the way that it is packaged adds to the experience.

I’m a sucker for a story and each one of these releases has one. Numero Group has no idea, but they have me right where they want me. I ended up picking up two pieces from them: one is a single LP the other is a 4LP box. Each one is filled with the rare and the raw and has been crafted with precision and passion.

This is the Big Dig, the Tutankhamen of R&B: Twinight. After two years of interviews, cold calls, storage spaces, half truths, unknowns, and dead ends, we’ve finally completed a large piece of Chicago’s secret soul history. Eccentric Soul: Twinight’s Lunar Rotation takes a look beyond their hit maker Syl Johnson, and instead focuses on the records that never had a shot at the charts. It’s the story of struggling disc jockeys moonlighting as producers, high school talent show winners, major label cast offs, minor label upgrades, girlfriends with decent voices, and master purchases traded for chart position.

This comprehensive 2CD/4LP set includes a complete label history, a bakers dozen of unpublished photos and three unreleased tracks, including two that were only rumored to exist. Our Twinight email extravaganza doesn’t end there. Not with these 3 lb Lunar Rotation 4LP box sets taking up our entire front room anyway. You read that poorly structured sentence right, Eccentric Soul: Twinight’s Lunar Rotation has finally been released on vinyl in our most deluxe package yet.

Here is a song from one of the albums in this set: Jo Ann Garrett – Goin’ Man Huntin’.


Jo Ann…consider me your prey. I’m an easy catch.

The second in our series of peeks into the world of regional studios hones in on Mickey Rouse’s Lowland operation out of Beaumont, Texas. Long after the Bopper’s plane crashed and the Winter brothers (Johnny and Edgar) and Janis Joplin split, Texas’ Golden Triangle was home to a vibrant scene of musicians, songwriters, and entrepreneurs just trying to make it in Houston, let alone the world

From the ashes of a vibrant garage and stage band scene, the Lowland studio and its clientele were formed. Holed up in a run-down strip mall, groups like Mourning Sun, Insight Out, Sage, Sassy, Mother Lion, Hope, Circus, and Boot Hill tracked out hundreds of demos, most of which were put on the shelf and left to bake in the South East Texas heat. Until now.

Over the last two years, Numero has painstakingly gone through every tape in the studio’s archives, selecting the best of the best (22 for the CD, 28 for the 2LP) for this peerless compilation. The songs themselves run the gamut; southern boogie rock, CSNY clones, British blues thunder, garage-psych hangovers, Morricone-esque supper club instrumentals, yacht rock, and what can only be described as Bobby McPherin fronting the Velvet Underground, are threaded together in the way only a tightly-knit scene can be. Forget bringing these treasures back to life, Numero’s giving them the life they never had.

Here is one of the lone star Numero employee mixing tapes for a song on this Lowlands album. Dig the tune in the background. That must be the “CSNY” clone called out above.

Duane Allman – Anthology I & II.

Just over a month ago I started a blog post series called, “The Rock & Roll Three-Way”. This is where I attempt to create a theme where I pull three songs together that tell some kind of interlocking story. My first go at that turned the spotlight on Duane Allman. Have a read of it here.

That Three-Way leaned heavily on the Anthologies material. The shining star moments have Duane taking front and center stage as part of the backing band. At Planet Records I found both of these double album delights and purchased them both for a grand theft, grand sum of $12.00. Sold! On these sets there are also a few songs where Duane steps to the mic and tests out his pipes. Here are a few examples for you to feast your ears on:

This is Duane taking the young guitar slinger’s rite of passage: covering a Chuck Berry song: No Money Down.

Here is a another lead vox by Ol’ Skydog himself. “Goin’ Down Slow” is a song written by St. Louis Jimmy Oden. Duane does his best to put his southern tinged stamp on this one.

Peter Wolf – Midnight Souvenirs

One of my other Rock & Roll Three-Ways focused on Peter Wolf…well, actually it focused on his couch. I waxed on there about my admiration for Wolf. I love his solo material, especially the last three albums. I figured that since I was in Boston, the vibes were perfect for plucking a Peter Wolf album from the bins. I bought his latest, “Midnight Souvenirs”. Actually, I was hoping to find his previous solo album, Sleepless. No dice, but ‘Souvenirs’ will roll nicely.

Here are the two episodes from Peter’s “making of” Midnight Souvenirs. Well worth the thirteen total minutes it will take you to hang with the Woofa. Wolf takes us through the places, paces, faces and process of recoding “The Midnight Chaos”.

Part 1

Part 2

 

Chasing down the Cool: Hunting for vinyl in London’s Soho (great finds in the shops & pubs)

A sunny (relatively) warn autumn day in October in London…what else is there to do except spend it inside used record shops chasing down the cool. Actually, as far as I am concerned, any day, rain or shine is good day for flipping vinyl. 

Upon moving to London from Sydney, Australia a year ago, I was very excited to get inside all of these used record shops that I had heard so much about. One of the first things I did when I got here was map them all out. 

http://maps.google.com/maps/ms?ie=UTF8&hl=en&msa=0&msid=112902218177026609738.000473154c60d604e17cb&ll=51.499676,-0.140925&spn=0.074376,0.145569&z=12&output=embed

I have since been to all of the shops on that map. I have made repeat visits to the shops in Soho. There is a cluster of them which makes it easier to hit a lot in one day. The shops there are very good a rotating the stock, too. Also, it doesn’t hurt that the Soho scene is always a trip. 

 

I spent most of my time in three shops today: Music and Video Exchange, Revival Records and Sister Ray’s. I also grabbed a snap of Ronnie Scott’s on my walk around. 

 

So, with two shops and close to three hours of bin flipping, it was time to adjourn to one of Soho’s coolest little pubs: the Dog & The Duck (Yelp review). This pub has two floors, but each is postage stamp sized. What it lacks in size it makes up for in character. It is also well known for it’s literary heritage (George Orwell drank and wrote there) and a consistent rotation of choice, tasty ales. I can attest to the latter. 

The taps were all spewing ales with Halloween holiday themes. I had me a delicious Hobgoblin Ruby Ale. Ok, I had three. 

After a few pints here I hit a couple more shops and then hopped the Tube back to my neighborhood. I stopped by one of my local fave rave pubs, The Builders Arms. I had a couple more pints, had a read through the rest of the album liner notes and a chapter of Keef’s autobio and I hoofed it home. 

 

I chased down some great records today. I usually try to get a mix of styles and sounds. Today I ended up heavy on the Blues, early Rock and Roll and some heavy Rhythm & Blues. Here is the list:

The Fabulous Mr. D – Fats Domino

River Deep Mountain High (Spector produced) – Ike & Tina

Bo Diddley s a Lover – Bo

Southside Blues Jam – Junior Wells

Travelin’ to California – Albert King

Chicago on My Mind- Living the Blues (live) - Jimmy Dawkins

Jackson Browne – Jackson Browne

Shoot Out the Lights – Richard & Linda Thompson

I had never heard “Shoot out the Lights” before. This week I saw a tweet from @KenShane (New Music editor at Popdose and Freelance Writer) with a link to his review of the reissue of it.  Ken speaks the truth and my curiosity was peaked.

I am a sucker for a great music story and the one behind this album is a killer story…as told by Ken. I picked up this album because of Ken’s article. I am loving this album because of the music.

(Thanks for the turn on, Ken)

Double Whammy Delivery: Vinyl Galore Just Showed Up at My Door

 

The postman rang twice today. Once to deliver my copy of “Light: On the South Side” (which I blogged about here) and a second time to deliver my vinyl copy of Now Young’s “Le Noise“.  Now that is what I call a welcome surprise. 

“The Light: On the South Side” packaging is phenomenal. The photo book that comes with it is a tractor beam. The liner notes on the vinyl sleeves are detailed and abundant…yes, abundant. This ain’t no download, brothers and sisters…this is craft and care and detailed and deliberate all wrapped up in one helluva package. The team at Numero Group aren’t just trying to sell us shit…they are trying to sell us the shit. Excellent job on this set, @numerogroup.  Thanks for caring. 

Not to be outdone…Le Noise. I wrote about my first listen to the album yesterday. Now I get to do it all over again…with the Black Gold. Damn straight. 

 

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